
St. Peter's, from "Speculum Romanae Magnificentiae"
Antonio da Sangallo, the Younger (d. 1546)
1547 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
56 ms. The Metropolitan Museum of Art, Collection API (Open Access)
8 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 28 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

St. Peter's, from "Speculum Romanae Magnificentiae"
Antonio da Sangallo, the Younger (d. 1546)
1547 · Engraving
Cleared · Public Domain
live
St. Peter's, from "Speculum Romanae Magnificentiae"
Vincenzo Luchino (d. 1571)
1564 · Engraving
Cleared · Public Domain
live
St. Peter's, from "Speculum Romanae Magnificentiae"
Etienne DuPérac (d. 1604)
16th century · Engraving and etching
Cleared · Public Domain
live
St. Peter's, from "Speculum Romanae Magnificentiae"
Giovanni Ambrogio Brambilla (d. 1599)
16th century · Engraving and etching
Cleared · Public Domain
live
The Virgin and Child with St. John the Baptist, St. Francis, and St. Catherine of Siena
Andrea Andreani (d. 1629)
1585 · Chiaroscuro woodcut from four blocks printed in orange
Cleared · Public Domain
live
St. Peter's, from "Speculum Romanae Magnificentiae"
Anonymous
16th century · Engraving and etching
Cleared · Public Domain
live
St. Malo, France, from the Surf Beauties series (N232), issued by Kinney Bros.
Kinney Brothers Tobacco Company (d. 2011)
1889 · Commercial color lithograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Peter and St. John the Evangelist
Niccolò Vicentino (d. 1550)
ca. 1540–50 · Chiaroscuro woodcut from three blocks in orange
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Virgin and Child Flanked by St. John the Baptist and St. Francis
Andrea Andreani (d. 1629)
1585 · Chiaroscuro woodcut from four blocks in blue
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Stanfield's Coast Scenery: A Series of Views in the British Channel, from "Original Drawings Taken Expresssly for the Work"
Clarkson Stanfield (d. 1867)
1836 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Malo (from Scrapbook)
John Singer Sargent (d. 1925)
May 1875 · Graphite on off-white wove paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Malo (The Tomb of Chateaubriand), from Pardmé, Brittany, France
Eliza Pratt Greatorex (d. 1897)
1887 · Etching with plate tone, on chine collé
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.