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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    265 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    366 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 57 matching records exist across the two collections.

Results for "St. Mark's No. 2 (Venice) -- Interior"12 records

Institutions answered newest-first by record, interleaved

Young St. John the Baptist by Antonio Lombardo, The Metropolitan Museum of Art

Young St. John the Baptist

Antonio Lombardo (d. 1516)

early 16th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Esemplario di lavori, page 11 (recto) by Nicolò Zoppino, The Metropolitan Museum of Art

Esemplario di lavori, page 11 (recto)

Nicolò Zoppino (d. 1544)

August 1529 · Woodcut (pages inlaid, modern vellum binding)

Cleared · Public Domain

live
The MetSimilar
Ornamento delle belle & virtuose donne, page 6 (recto) by Matteo Pagano, The Metropolitan Museum of Art

Ornamento delle belle & virtuose donne, page 6 (recto)

Matteo Pagano (d. 1588)

1554 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Saint Sebastian by Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa), The Metropolitan Museum of Art

Saint Sebastian

Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) (d. 1608)

1566 · Bronze

Cleared · Public Domain

live
The MetSimilar
Il Monte. Opera Nova di Recami, page 10 (recto) by Giovanni Antonio Bindoni, The Metropolitan Museum of Art

Il Monte. Opera Nova di Recami, page 10 (recto)

Giovanni Antonio Bindoni (d. 1650)

after 1557 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Corona delle Nobile et Virtuose Donne, Libro Terzo, title page (recto) by Cesare Vecellio, The Metropolitan Museum of Art

Corona delle Nobile et Virtuose Donne, Libro Terzo, title page (recto)

Cesare Vecellio (d. 1601)

1620 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Pulpit in Saint Mark's, Venice by George Henry Yewell, The Metropolitan Museum of Art

Pulpit in Saint Mark's, Venice

George Henry Yewell (d. 1923)

ca. 1870 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Examples of the Architecture of Venice, Selected and Drawn to Measurement from the Edifices (extra illustrated)

John Ruskin (d. 1900)

1851–83 · Mezzotint, etching, aquatint, engraving and lithographs with tint stones, numbered plates on chine collé

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old Italian Masters, II, Engraved by Timothy Cole, Japan Proofs

Timothy Cole (d. 1931)

1892 · Wood engraving on Japan paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Saint Mark's, Venice, No. 1

Sir David Young Cameron (d. 1945)

1895 · Etching; second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Saint Mark's, No. 2

Sir David Young Cameron (d. 1945)

1900 · Etching; fourth state of four

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Fishmarket, Venice, No. 2

Sir Muirhead Bone (d. 1953)

1915 · Drypoint

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.