
Saints John the Evangelist and Mary Magdalene
Italian, Neapolitan Follower of Giotto
ca. 1335–45 · Tempera on wood, gold ground
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
249 ms. The Metropolitan Museum of Art, Collection API (Open Access)
291 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 515 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Saints John the Evangelist and Mary Magdalene
Italian, Neapolitan Follower of Giotto
ca. 1335–45 · Tempera on wood, gold ground
Cleared · Public Domain
live
St. Mary Magdalene on the Clouds
Lucas van Leyden (d. 1533)
1518 · Engraving
Cleared · Public Domain
live
St. Mary Magdalene on the Clouds (copy)
Lucas van Leyden (d. 1533)
1518 (?) · Engraving
Cleared · Public Domain
live
St. Mary Magdalene at the Foot of the Cross
Jan Muller (d. 1628)
1593 · Engraving; New Holl.'s first state of two
Cleared · Public Domain
live
St. Mary Magdalene in the Clouds (copy)
Lucas van Leyden (d. 1533)
n.d. · Engraving
Cleared · Public Domain
live
The Dance of St. Mary Magdalene (copy)
Lucas van Leyden (d. 1533)
n.d.
Cleared · Public Domain
live
St. Mary Magdalene on the Clouds (reverse copy)
Lucas van Leyden (d. 1533)
n.d.
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Mary Magdalene, from "Famous Women of the New Testament"
Jan (Pietersz.) Saenredam (d. 1607)
ca. 1594 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
S. Maria Magdalena (Penitent Mary Magdalene)
Wenceslaus Hollar (d. 1677)
1646 · Etching; second state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Evening on the St. John's River, Florida (Evening on St. John's)
Mary Nimmo Moran (d. 1899)
1882 · Etching, printed with plate tone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Dance of St. Mary Magdalene (reverse copy)
Lucas van Leyden (d. 1533)
n.d. · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Edna St. Vincent Millay
Mary Sully (d. 1963)
ca. 1920s–40s · Colored pencil, black ink, gilt, white paint, pastel crayon, on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.