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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    174 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    298 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 14 matching records exist across the two collections.

Results for "St. Osyths, Essex"12 records

Institutions answered newest-first by record, interleaved

Crocodile whistle and rattle by Maya artist(s), The Metropolitan Museum of Art

Crocodile whistle and rattle

Maya artist(s)

700–800 CE · Ceramic, Maya blue pigment

Cleared · Public Domain

live
The MetSimilar
Poyen Family Record Sampler by Elizabeth Josephine Poyen, The Metropolitan Museum of Art

Poyen Family Record Sampler

Elizabeth Josephine Poyen (d. 1868)

ca. 1819 · Silk on linen

Cleared · Public Domain

live
The MetSimilar
St. Osyths, Essex by Alfred Capel Cure, The Metropolitan Museum of Art

St. Osyths, Essex

Alfred Capel Cure (d. 1896)

1856 · Albumen silver print from paper negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Antiquarian and Topographical Cabinet, containing a series of elegant views of the most interesting objects of curiosity in Great Britain, Vol. III

James Storer (d. 1853)

1808 · Illustrations: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Antiquarian and Topographical Cabinet, containing a series of elegant views of the most interesting objects of curiosity in Great Britain, Vol. IV

James Storer (d. 1853)

1808 · Illustrations: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Antiquarian and Topographical Cabinet, containing a series of elegant views of the most intersting objects of curiosity in Great Britain, Vol. II

James Storer (d. 1853)

1808 · Illustrations: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Antiquarian and Topographical Cabinet, containing a series of elegant views of the most interesting objects of curiosity in Great Britain, Vol. V

James Storer (d. 1853)

1809 · Illustrations: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Antiquarian and Topographical Cabinet, containing a series of elegant views of the most interesting objects of curiosity in Great Britain, Vol. VI

James Storer (d. 1853)

1809 · Illustrations: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Antiquarian and Topographical Cabinet, containing a series of elegant views of the most interesting objects of curiosity in Great Britain, Vol. VII

James Storer (d. 1853)

1810 · Illustrations: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Antiquarian and Topographical Cabinet, containing a series of elegant views of the most interesting objects of curiosity in Great Britain, Vol. X

James Storer (d. 1853)

1811 · Illustrations: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A View of the Balloon of Mr. Sadler's

Anonymous, British, early 19th century (d. 1850)

ca. 1811 · Etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Elevation towards Chancel, Organ, Coggeshall Church, Essex (Church of St. Peter-ad-Vincula)

Ernest Geldart (d. 1929)

ca. 1895 · Pen and ink, over graphite, with watercolor

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.