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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    162 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    358 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 841 matching records exist across the two collections.

Results for "St. Peter and St. John the Evangelist"12 records

Institutions answered newest-first by record, interleaved

St. John the Evangelist by Anonymous, German, 15th century, The Metropolitan Museum of Art

St. John the Evangelist

Anonymous, German, 15th century (d. 1500)

15th century · Niello

Cleared · Public Domain

live
The MetSimilar
St. John the Evangelist by Wenceslaus Hollar, The Metropolitan Museum of Art

St. John the Evangelist

Wenceslaus Hollar (d. 1677)

1650 · Etching, first state of two

Cleared · Public Domain

live
The MetSimilar
St. John the Evangelist by Capodimonte Porcelain Manufactory, The Metropolitan Museum of Art

St. John the Evangelist

Capodimonte Porcelain Manufactory (d. 1759)

ca. 1744 · Soft-paste porcelain

Cleared · Public Domain

live
The MetSimilar
St. John the Evangelist by John Flaxman, The Metropolitan Museum of Art

St. John the Evangelist

John Flaxman (d. 1826)

ca. 1811 · Brush and brown wash over graphite

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

St. John the Evangelist

Master ES (d. 1467)

mid-15th century · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

St. Peter and St. John the Evangelist

Niccolò Vicentino (d. 1550)

ca. 1540–50 · Chiaroscuro woodcut from three blocks in orange

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

St. Peter and St. John the Evangelist

Niccolò Vicentino (d. 1550)

ca. 1540–50 · Chiaroscuro woodcut from three blocks in green

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

St. John the Evangelist

Sebald Beham (d. 1550)

1550 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

St. John the Evangelist

Wenceslaus Hollar (d. 1677)

1650 · Etching; second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

St. John the Evangelist

Seger Tielemans (d. 1771)

ca. 1650 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

St. John the Evangelist

John B. Skippe (d. 1812)

1781 · Chiaroscuro woodcut from three blocks in brown

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

St. John the Evangelist

Tommaso Aloisio (d. 1875)

1750–1800 · Engraving

In copyright

live
The MetSimilar

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