
Modified celt-pendant with incised motifs
Olmec artist(s)
900–600 BCE · Jadeite
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
253 ms. The Metropolitan Museum of Art, Collection API (Open Access)
314 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 10 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Modified celt-pendant with incised motifs
Olmec artist(s)
900–600 BCE · Jadeite
Cleared · Public Domain
live
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) (d. 1438)
1435–38 · Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)
Cleared · Public Domain
live
The Holy Family with Angels
Pomarancio (Cristoforo Roncalli) (d. 1626)
1603–5 · Black chalk highlighted with white chalk on blue paper
Cleared · Public Domain
live
Armchair (part of a set)
Nicolas-Quinibert Foliot (d. 1776)
ca. 1754–56 · Carved and gilded beech; wool and silk tapestry
Cleared · Public Domain
live
Armchair (part of a set)
Nicolas-Quinibert Foliot (d. 1776)
ca. 1754–56 · Carved and gilded beech; wool and silk tapestry
Cleared · Public Domain
live
Armchair (part of a set)
Nicolas-Quinibert Foliot (d. 1776)
ca. 1754–56 · Carved and gilded beech; wool and silk tapestry
Cleared · Public Domain
live
Settee (canapé) (part of a set)
Nicolas-Quinibert Foliot (d. 1776)
ca. 1754–56 · Carved and gilded beech; wool and silk tapestry
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Voyage de Sa Majésté Louis-Philippe 1er, Roi des Français au Château de Windsor (Visit of His Majesty Louis Philippe I, King of the French to Windsor Castle)
Edouard Pingret (d. 1875)
1846 · Illustrations: lithographs with tint stones: one on chine collé, one in color
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album containing prints clipped from American and British periodicals
Illman and Sons (d. 1900)
1815–60 · Hand-colored etching, engraving, lithograph, mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Philip, Representing Hope: Design for a Stained-Glass Window, First Presbyterian Church, Flemington, New Jersey (one of a set of seven)
D. Maitland Armstrong (d. 1918)
1918–21 · Watercolor and pen and ink
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.