The Holy Virgins Greeted by Christ as They Enter the Gates of Paradise
Simon Marmion (d. 1489)
ca. 1467–70 · Tempera and gold leaf on parchment
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
339 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
302 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 593 matching records exist across the two collections.
Results for "St. Simon, from "Christ, Mary, and the A"12 records
Institutions answered newest-first by record, interleaved
The Lamentation of Christ
Simon Marmion (d. 1489)
ca. 1473 · Oil and tempera(?) on oak panel
Cleared · Public Domain
liveThe MetSimilar
St. Simon, from "Christ and the Apostles"
Hans Baldung (called Hans Baldung Grien) (d. 1545)
1519 · Woodcut
Cleared · Public Domain
liveThe MetSimilar
St. Simon, from "Christ and the Apostles"
Lambert Suavius (d. 1576)
1530–76 · Engraving; backed with a print by J. A. Fridrich
Cleared · Public Domain
liveThe MetSimilar
St. Simon, from "Christ, the Twelve Apostles and St. Paul"
Lambert Suavius (d. 1576)
1525–76 · Engraving; second state of two
Cleared · Public Domain
liveThe MetSimilar
St. Simon, from "Christ, the Apostles and St. Paul with the Creed"
Hendrick Goltzius (d. 1617)
ca. 1589 · Engraving
Cleared · Public Domain
liveThe MetSimilar
St. Matthias, from "Christ, Mary, and the Apostles"
Antonio Tempesta (d. 1630)
ca. 1590–1610 · Etching
Cleared · Public Domain
liveThe MetSimilar
St. Simon, from "Christ, Mary, and the Apostles"
Antonio Tempesta (d. 1630)
ca. 1590–1610 · Etching; first state of two (Bartsch)
Cleared · Public Domain
liveThe MetSimilar
St. Louis in Glory
Simon Vouet (d. 1649)
ca. 1640–41 · Black chalk, heightened with white chalk, on beige paper; framing lines in pen and brown ink
Cleared · Public Domain
liveThe MetSimilar
Quilt, Presentation pattern
Mary Hergenroder Simon (d. 1877)
ca. 1849 · Cotton and silk velvet
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Simon, from "Christ and the Twelve Apostles"
Master F. P. (d. 1600)
1500–50 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Simon, from "Christ and the Twelve Apostles"
Master F. P. (d. 1600)
1500–50 · Etching
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.