
Holy Face
Gerard David (d. 1523)
ca. 1485–90 · Tempera and gold leaf on parchment that has been trimmed and laid down on thin walnut
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
334 ms. The Metropolitan Museum of Art, Collection API (Open Access)
481 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 7 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Holy Face
Gerard David (d. 1523)
ca. 1485–90 · Tempera and gold leaf on parchment that has been trimmed and laid down on thin walnut
Cleared · Public Domain
live
Saint Veronica between Saints Peter and Paul, from "The Small Passion"
Albrecht Dürer (d. 1528)
1510 · Woodcut
Cleared · Public Domain
live
The Head of the Virgin in Three-Quarter View Facing Right
Leonardo da Vinci (d. 1519)
1510–13 · Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)
Cleared · Public Domain
live
St. Veronica with the Sudarium, after Michelangelo
Nicolas Beatrizet (d. 1566)
1540–66 · Engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Veil of St. Veronica (or Head of John the Baptist on a Plate), plate 4 from "Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi" (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi)
James Nevay (d. 1811)
1764 · Etching with brown and black ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Veil of St. Veronica (or The Head of St. John the Baptist with Two Angels Holding a Cloth with an Impression of It), from "Raccolta di Alcuni Disegni del Barberi da Cento detto Il Guercino"
James Nevay (d. 1811)
1764 · Etching, printed in brown ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bell rubbing with the Veil of Veronica (Sudarium), from "Osanna-Glocke," Collegiate Church of St. Severus, Erfurt, Germany
Unrecorded maker
19th–20th century [bell dated 1474] · Charcoal
In copyright
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2. Read the arithmetic
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3. Seal and export
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