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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1480 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    324 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 160 matching records exist across the two collections.

Results for "Stable Yard with Horses"12 records

Institutions answered newest-first by record, interleaved

An Allegory: Male Nude in a Stable with Four Wild Horses by Prospero Fontana, The Metropolitan Museum of Art

An Allegory: Male Nude in a Stable with Four Wild Horses

Prospero Fontana (d. 1597)

ca. 1532–after 1593 · Pen and brown ink, brush and gray wash, over black chalk; framing lines in pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Stable Yard with Horses by Thomas Rowlandson, The Metropolitan Museum of Art

Stable Yard with Horses

Thomas Rowlandson (d. 1827)

1784–1795 · Pen and gray ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
A couple conversing in a stable yard, with a double rainbow overhead, from 'Linear Perspective, Applied to the Art of Painting' by Christoffer Wilhelm Eckersberg, The Metropolitan Museum of Art

A couple conversing in a stable yard, with a double rainbow overhead, from 'Linear Perspective, Applied to the Art of Painting'

Christoffer Wilhelm Eckersberg (d. 1853)

1841 · Etching

Cleared · Public Domain

live
The MetSimilar
New England Hotel, Broadway, Adjoining Trinity Church Yard, New York by Frances Flora Bond Palmer, The Metropolitan Museum of Art

New England Hotel, Broadway, Adjoining Trinity Church Yard, New York

Frances Flora Bond Palmer (d. 1876)

ca. 1848 · Lithograph with tint stone

Cleared · Public Domain

live
The MetSimilar
Berg's Ship Yard by William P. Chappel, The Metropolitan Museum of Art

Berg's Ship Yard

William P. Chappel (d. 1878)

1870s · Oil on slate paper

Cleared · Public Domain

live
The MetSimilar
The Smith's Yard by James McNeill Whistler, The Metropolitan Museum of Art

The Smith's Yard

James McNeill Whistler (d. 1903)

1895 · Transfer lithograph; only state (Chicago), as published; printed from a supplementary stone on medium-weight ivory wove paper with a smooth finish

Cleared · Public Domain

live
The MetSimilar
The Smith's Yard by James McNeill Whistler, The Metropolitan Museum of Art

The Smith's Yard

James McNeill Whistler (d. 1903)

1895 · Transfer lithograph; only state (Chicago), as published; printed from a supplementary stone on medium-weight ivory wove paper with a smooth finish

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior of a Stable

Thomas Rowlandson (d. 1827)

1770–1827 · Pen and gray and brown ink, watercolor, over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

American Farm Yard – Evening

Frances Flora Bond Palmer (d. 1876)

1857 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

American Farm Yard – Morning

Frances Flora Bond Palmer (d. 1876)

1857 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Trotting Cracks" at Home – A Model Stable

Thomas B. Worth (d. 1917)

1868 · Hand-colored lithograph with gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Uncle Sam Plantation House with Horse Grazing in Yard, St. James Parish, Louisiana]

Walker Evans (d. 1975)

March 1935 · Film negative

In copyright

live
The MetSimilar

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