
Study for the Allegory of Religion
Pietro da Cortona (Pietro Berrettini) (d. 1669)
1629–39 · Red chalk, glued onto a light cardboard mount
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
607 ms. The Metropolitan Museum of Art, Collection API (Open Access)
405 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 27 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Study for the Allegory of Religion
Pietro da Cortona (Pietro Berrettini) (d. 1669)
1629–39 · Red chalk, glued onto a light cardboard mount
Cleared · Public Domain
live
Study for a Triton (recto); Anatomical Studies ? (verso)
Gian Lorenzo Bernini (d. 1680)
1642–43 · Red chalk, the background tinted with an almost imperceptible pale brown wash, framing lines in pen and brown ink (recto); black chalk (verso)
Cleared · Public Domain
live
Head of Pope Urban VIII (Maffeo Vincenzo Barberini) (recto); An Outstretched Arm (verso)
Pietro Locatelli (d. 1710)
1669–70 · Black chalk, highlighted with white chalk, on light brown paper (recto); black chalk (verso)
Cleared · Public Domain
live
View of the side facade of the Palazzo Pamphili and its garden (Secondo prospetto per fianco del palazzo con diversa veduta del giardino del Bel respiro...Pamphilio)
Simon Felice (d. 1699)
after 1677 · Etching
Cleared · Public Domain
live
A Miracle of Saint Joseph of Cupertino (1603–1663)
Placido Costanzi (d. 1759)
1750 · Oil on canvas
Cleared · Public Domain
live
Staircase in the Palazzo Barberini, Palestrina
Charles Joseph Natoire (d. 1777)
mid-18th century · Pen and brown ink, brush and brown wash, over black chalk, heightened with white
Cleared · Public Domain
live![[Giant Staircase in the Courtyard of the Palazzo Ducale (Doge’s Palace), Venice] by Unknown, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP71317.jpg)
[Giant Staircase in the Courtyard of the Palazzo Ducale (Doge’s Palace), Venice]
Unknown
1880s · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Festa Fatta in Roma, alli 25. di Febraio MDCXXXIV
Cardinal Guido Bentivoglio (d. 1644)
1634 · Printed book with etched plates, historiated woodcut initials, headpieces
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Section of stucco and frescoed frieze above the cornice from the Camera of Venus in the Pitti Palace, Florence, stitched together with "Barberinae aulae fornix"
Charles Delahaye (d. 1641)
ca. 1677 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Palazzo Barberini (Veduta sul Monte Quirinale del Palazzo dell'Eccellentissima Casa Barberini, Architettura del Cav. Bernino)
Giovanni Battista Piranesi (d. 1778)
ca. 1729 · etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bas relief Antique dans l'Escalier du Capitole qui represente l'Apotheoses de Faustine, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bas relief Antique dans l'Escalier du Capitole. Marc Aurelle sur la Tribune aux harangues reçoit les Placets des Provinciaux et des Etrangers, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
live1. Pin the work
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2. Read the arithmetic
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3. Seal and export
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