
Standing figure of Amenhotep III
Unrecorded maker
ca. 1386–1347 BCE · Chlorite schist
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
397 ms. The Metropolitan Museum of Art, Collection API (Open Access)
294 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 7,377 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Standing figure of Amenhotep III
Unrecorded maker
ca. 1386–1347 BCE · Chlorite schist
Cleared · Public Domain
live
Standing male figure
Unrecorded maker
ca. late 1st millennium BCE · Alabaster (calcite)
Cleared · Public Domain
live
Standing Male Deity (possibly Shiva)
Unrecorded maker
6th century · Stone
Cleared · Public Domain
live
Drapery Study for a Standing Male Figure in Profile Facing Left
Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (d. 1517)
1512–17 · Black chalk, highlighted with white chalk, on tan paper
Cleared · Public Domain
live
Two Standing Male Figures
Perino del Vaga (Pietro Buonaccorsi) (d. 1547)
1501–47 · Pen and dark brown ink, brush and brown wash, highlighted with white gouache, over traces of black chalk, on brownish paper
Cleared · Public Domain
live
Standing Draped Male Figure
Baldassarre Franceschini (il Volterrano) (d. 1690)
ca. 1550 · Black chalk, highlighted with white, on blue-green paper, deckled edges. Glued onto secondary paper support
Cleared · Public Domain
live
Standing Male Draped Figure With His Hands Raised
Giovanni Paolo Lomazzo (d. 1600)
1565–71 · Black chalk, brush and brown wash, highlighted with white gouache, on blue-green paper
Cleared · Public Domain
live
Seated Male Figure with the Head of an Onlooker (recto); Standing Male Figure in a Monk's Habit (verso)
Bernardino Poccetti (d. 1612)
1548–1612 · Charcoal with traces of white chalk highlights
Cleared · Public Domain
live
Standing Draped Male Figure, His Left Arm Resting on a Pillar
Cesare Dandini (d. 1657)
1596–1656 · Black chalk (with some traces of reworking in graphite by a restorer), on dark brown washed paper; glued onto secondary paper support.
Cleared · Public Domain
live![[Standing Male Nude] by Unknown, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP263570.jpg)
[Standing Male Nude]
Unknown
ca. 1856 · Salted paper print from collodion glass negative
Cleared · Public Domain
live
Studies of male heads and a standing male figure
Eugène Delacroix (d. 1863)
1863 · Brush and gray wash, watercolor on laid paper
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.