Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
550 ms. The Metropolitan Museum of Art, Collection API (Open Access)
293 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 68 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) (d. 1438)
1435–38 · Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)
Cleared · Public Domain
live
Standing Youth with Hands Behind His Back, and a Seated Youth Reading (recto); Two Studies of Hands (verso)
Filippino Lippi (d. 1504)
1457/58–1504 · Metalpoint, highlighted with white gouache, on pink prepared paper (recto); metalpoint, on pink prepared paper (verso)
Cleared · Public Domain
live
Two nude women
Ludwig Krug (d. 1532)
ca. 1515–30 · Engraving
Cleared · Public Domain
live
Standing Nude Man (recto); Three Studies of Soldiers (verso)
Taddeo Zuccaro (d. 1566)
1550 · Red chalk, highlighted with traces of white gouache (recto); red chalk (verso)
Cleared · Public Domain
live
Standing Nude Female and Putto with Studies of a Hand and an Arm (recto); Satyrs destroying a Female Herm (verso)
Anonymous, Italian, 16th century (d. 1600)
16th century · Pen and brown ink, brush and gray-brown wash
Cleared · Public Domain
live
Nude Youth Running (recto); Standing Draped Old Man with Left Hand Upraised (verso)
Pietro Testa (d. 1650)
1612–50 · Black chalk on gray paper (recto); black chalk with traces of white chalk (verso)
Cleared · Public Domain
live
Study of Draperies (recto); Study of a Standing Female Nude in a Beckoning Pose Turned toward Left (verso)
Giacomo Zoboli (d. 1767)
18th century · Red chalk with white chalk
Cleared · Public Domain
live
Seated Female Nude (recto); Standing Male Nude (verso)
Pierre Paul Prud'hon (d. 1823)
probably between 1810–20 · Black and white chalk, stumped, on blue paper
Cleared · Public Domain
live
Standing Nude with Orange Drapery (recto): Study of Nude with Arms Raised (verso)
Egon Schiele (d. 1918)
1914 · Watercolor, gouache, and graphite on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nude with Raised Arm and Drapery (Study for "Les demoiselles d'Avignon")
Pablo Picasso (d. 1973)
Paris, spring–summer 1907 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Standing Nude
Pablo Picasso (d. 1973)
1907–8 · Watercolor over charcoal on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Standing Nude
Pablo Picasso (d. 1973)
1907–8 · Watercolor and graphite on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.