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Standing figure

Teotihuacan artist(s)

350–600 CE · Green schist

Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)

Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) (d. 1438)

1435–38 · Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)

Mother and Child, Figures Fighting (Study for the Rape of Dinah?)

Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (d. 1517)

1515–17 · Red chalk with traces of black chalk

Standing Woman Looking to Left Background

Francesco Vanni (d. 1610)

1596–98 · Red chalk and brush and red wash with stumping

Figure Studies: Woman Carrying a Basket; Woman Carrying a Vase, and Woman Seated at a Table

Francesco Curia (d. 1608)

1565–1608 · Pen and brown ink, brush and violet wash.

Woman Kneeling before a Standing Man, and Supplicant Kneeling before an Enthroned Male Figure

Francesco Curia (d. 1608)

1565–1608 · Pen and brown ink

The Head of a Woman Looking Up (Judith)

Guido Reni (d. 1642)

1625–26 · Red and black chalk

Standing Pregnant Woman (Study for the Pregnant Virgin Mary)

Bartolomeo Cesi (d. 1629)

1576–1629 · Red chalk, highlighted with white; squared in black chalk

Study of a Standing Woman

Angelica Kauffmann (d. 1807)

1792–96 · Black chalk, heightened with white chalk, on paper prepared with gray-blue gouache

Pedestal [for Woman from the French Colonies]

Charles-Henri-Joseph Cordier (d. 1905)

1861 · Red and white marble pedestal with gilt-bronze mounts and ornaments

Woman from the French Colonies

Charles-Henri-Joseph Cordier (d. 1905)

1861 · Algerian onyx-marble, bronze, and enamel; white marble socle