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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    910 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    291 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 647 matching records exist across the two collections.

Results for "Standing cup (half of a double cup)"12 records

Institutions answered newest-first by record, interleaved

Standing cup by an unrecorded maker, The Metropolitan Museum of Art

Standing cup

Unrecorded maker

ca. 1530 · Glass, enameled and gilt

Cleared · Public Domain

live
The MetSimilar
Double Cup by Mattheus Epfenhauser, The Metropolitan Museum of Art

Double Cup

Mattheus Epfenhauser

1574/1575 · Gilded silver, and silver medallions

Cleared · Public Domain

live
The MetSimilar
Double cup by an unrecorded maker, The Metropolitan Museum of Art

Double cup

Unrecorded maker

late 16th century · Silver gilt

Cleared · Public Domain

live
The MetSimilar
Double Cup by Caspar Beutmüller the Elder, The Metropolitan Museum of Art

Double Cup

Caspar Beutmüller the Elder

1590–1600 · Silver, partially gilded, with a silver medallion and a gold glass medallion

Cleared · Public Domain

live
The MetSimilar
Double cup by an unrecorded maker, The Metropolitan Museum of Art

Double cup

Unrecorded maker

ca. 1600 · Gilded silver

Cleared · Public Domain

live
The MetSimilar
Standing cup by an unrecorded maker, The Metropolitan Museum of Art

Standing cup

Unrecorded maker

early 17th century · Gilded silver

Cleared · Public Domain

live
The MetSimilar
Standing cup (half of a double cup) by Michael Czikos de Tarcal, The Metropolitan Museum of Art

Standing cup (half of a double cup)

Michael Czikos de Tarcal (d. 1612)

early 17th century · Silver

Cleared · Public Domain

live
The MetSimilar
Double cup by Thomas Cory, The Metropolitan Museum of Art

Double cup

Thomas Cory (d. 1689)

1685/86 · Silver

Cleared · Public Domain

live
The MetSimilar
Double cup by Johann Friedericus Schloeff, The Metropolitan Museum of Art

Double cup

Johann Friedericus Schloeff (d. 1775)

early 18th century · Silver, parcel gilt

Cleared · Public Domain

live
The MetSimilar
Standing cup (Flügelglas) by an unrecorded maker, The Metropolitan Museum of Art

Standing cup (Flügelglas)

Unrecorded maker

ca. 1760 · Glass

Cleared · Public Domain

live
The MetSimilar
Standing cup by Naphtäli Hart, The Metropolitan Museum of Art

Standing cup

Naphtäli Hart (d. 1834)

1800–1801 · Silver

Cleared · Public Domain

live
The MetSimilar
Standing cup by Reinhold Vasters, The Metropolitan Museum of Art

Standing cup

Reinhold Vasters (d. 1909)

ca. 1870–90 · Red jasper; gold, partly enameled and set with gems

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.