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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    1139 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    350 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 8 matching records exist across the two collections.

Results for "Stater: BODVOC on plain field (obverse);"10 records

Institutions answered newest-first by record, interleaved

Plaque carved in relief with figure fighting a lion by an unrecorded maker, The Metropolitan Museum of Art

Plaque carved in relief with figure fighting a lion

Unrecorded maker

ca. 8th–7th century BCE · Ivory

Cleared · Public Domain

live
The MetSimilar
Stater: BODVOC on plain field (obverse); Horse, Wheel, and Crescent (reverse) by an unrecorded maker, The Cleveland Museum of Art

Stater: BODVOC on plain field (obverse); Horse, Wheel, and Crescent (reverse)

Unrecorded maker

10 BCE–20 CE · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Nose Ornament by an unrecorded maker, The Metropolitan Museum of Art

Nose Ornament

Unrecorded maker

1–1000 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Stater: BODVOC on plain field (obverse) by an unrecorded maker, The Cleveland Museum of Art

Stater: BODVOC on plain field (obverse)

Unrecorded maker

10 BCE–20 CE · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Nose Ornament by an unrecorded maker, The Metropolitan Museum of Art

Nose Ornament

Unrecorded maker

1–1000 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Nose Ornament by an unrecorded maker, The Metropolitan Museum of Art

Nose Ornament

Unrecorded maker

1–1000 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Mammalian disk by an unrecorded maker, The Metropolitan Museum of Art

Mammalian disk

Unrecorded maker

800–1500 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Tupu (pin) by Inca artist(s), The Metropolitan Museum of Art

Tupu (pin)

Inca artist(s)

1400–1535 CE · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Tupu by an unrecorded maker, The Metropolitan Museum of Art

Tupu

Unrecorded maker

Before 17th century · Silver

Cleared · Public Domain

live
The MetSimilar
Pendant Icon with St. George and the Virgin and Child Enthroned by Northern or Central Highlands artist, The Metropolitan Museum of Art

Pendant Icon with St. George and the Virgin and Child Enthroned

Northern or Central Highlands artist

18th century · Wood, pigment, metal hinge

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.