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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    178 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    328 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 22,264 matching records exist across the two collections.

Results for "Statue of Liberty"12 records

Institutions answered newest-first by record, interleaved

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Statue of Liberty

Julian Alden Weir (d. 1919)

1880–90 · Etching; only state

In copyright

live
The MetSimilar
Portrait of Dora Wheeler by William Merritt Chase, The Cleveland Museum of Art

Portrait of Dora Wheeler

William Merritt Chase (d. 1916)

1882–83 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Statue of Liberty

Christopher Richard Wynne Nevinson (d. 1946)

1921 · Drypoint

In copyright

live
The MetSimilar
Liberty Enlightening the World, Offered to the City of Paris by the Americans by Auguste Louis Lepère, The Cleveland Museum of Art

Liberty Enlightening the World, Offered to the City of Paris by the Americans

Auguste Louis Lepère (d. 1918)

1885 · Print, wood engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Statue of Liberty

Berenice Abbott (d. 1991)

1931 · Gelatin silver print

In copyright

live
The MetSimilar
View of the Midwest Plains by Frédéric Auguste Bartholdi, The Cleveland Museum of Art

View of the Midwest Plains

Frédéric Auguste Bartholdi (d. 1904)

c. 1871 · Drawing, watercolor, graphite, ink wash, and gouache on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Statue of Liberty in the rain

Harold Frank Collinson (d. 1955)

mid 20th century · Etching and drypoint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Statue of Liberty

Stanley R. Goldstein

1960–67 · Chromogenic print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Statue of Liberty

Neal Slavin (d. 9999)

1970s · Chromogenic print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Statue of Liberty

Robert Rauschenberg (d. 2008)

1983 · Lithograph collaged on silkscreen

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled (Statue of Liberty)

Robert Grunberg

1978 · Hand-colored etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Statue of Liberty

Siah Armajani (d. 2020)

2018 · Inkjet print on coated fabric with two fabric patches

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.