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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    698 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    381 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 401 matching records exist across the two collections.

Results for "Stazzi Palace, from "Speculum Romanae Ma"12 records

Institutions answered newest-first by record, interleaved

Exterior of the Farnese Palace, from "Speculum Romanae Magnificentiae" by Nicolas Beatrizet, The Metropolitan Museum of Art

Exterior of the Farnese Palace, from "Speculum Romanae Magnificentiae"

Nicolas Beatrizet (d. 1566)

1549 · Engraving; first state of two

Cleared · Public Domain

live
The MetSimilar
Stazzi Palace, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Stazzi Palace, from "Speculum Romanae Magnificentiae"

Anonymous

1549 · Engraving

Cleared · Public Domain

live
The MetSimilar
Farnese Palace Interior, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Farnese Palace Interior, from "Speculum Romanae Magnificentiae"

Anonymous

1560 · Engraving and etching

Cleared · Public Domain

live
The MetSimilar
Tivoli Palace and Gardens, from "Speculum Romanae Magnificentiae" by Etienne DuPérac, The Metropolitan Museum of Art

Tivoli Palace and Gardens, from "Speculum Romanae Magnificentiae"

Etienne DuPérac (d. 1604)

1573 · Etching

Cleared · Public Domain

live
The MetSimilar
Alberini Palace, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Alberini Palace, from "Speculum Romanae Magnificentiae"

Anonymous

16th century · Engraving

Cleared · Public Domain

live
The MetSimilar
Tivoli Palace and Gardens, from "Speculum Romanae Magnificentiae" by Giovanni Ambrogio Brambilla, The Metropolitan Museum of Art

Tivoli Palace and Gardens, from "Speculum Romanae Magnificentiae"

Giovanni Ambrogio Brambilla (d. 1599)

1581 · Etching

Cleared · Public Domain

live
The MetSimilar
Alberini Palace, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Alberini Palace, from "Speculum Romanae Magnificentiae"

Anonymous

late 16th century · Engraving

Cleared · Public Domain

live
The MetSimilar
Farnese Palace Interior, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Farnese Palace Interior, from "Speculum Romanae Magnificentiae"

Anonymous

1585 · Engraving and etching

Cleared · Public Domain

live
The MetSimilar
Tablet with Calendar from the Farnese Palace, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Tablet with Calendar from the Farnese Palace, from "Speculum Romanae Magnificentiae"

Anonymous

late 16th century · Engraving

Cleared · Public Domain

live
The MetSimilar
Farnese Palace, from "Speculum Romanae Magnificentiae" by Francesco Villamena, The Metropolitan Museum of Art

Farnese Palace, from "Speculum Romanae Magnificentiae"

Francesco Villamena (d. 1624)

16th century · Engraving

Cleared · Public Domain

live
The MetSimilar
Monte Pincio Palace and Gardens, from "Speculum Romanae Magnificentiae" by Antonio Tempesta, The Metropolitan Museum of Art

Monte Pincio Palace and Gardens, from "Speculum Romanae Magnificentiae"

Antonio Tempesta (d. 1630)

mid to late 16th century · Etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hermaphrodite in the Farnese Palace, from "Speculum Romanae Magnificentiae"

Marcantonio Raimondi (d. 1534)

1552 · Engraving

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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