Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    227 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    321 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 30 matching records exist across the two collections.

Results for "Stela of Amenemopet, a Priest of Senwosr"12 records

Institutions answered newest-first by record, interleaved

Stela of Horemkhauef by an unrecorded maker, The Metropolitan Museum of Art

Stela of Horemkhauef

Unrecorded maker

ca. 1802–1640 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Stela of Amenemopet, a Priest of Senwosret I by an unrecorded maker, The Metropolitan Museum of Art

Stela of Amenemopet, a Priest of Senwosret I

Unrecorded maker

ca. 1491–1386 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Stela of Senu by an unrecorded maker, The Metropolitan Museum of Art

Stela of Senu

Unrecorded maker

ca. 1386–1347 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Stela of Senu Adoring Osiris by an unrecorded maker, The Metropolitan Museum of Art

Stela of Senu Adoring Osiris

Unrecorded maker

ca. 1386–1347 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Funerary Cone of the High Priest of Amun  Amenemopet by an unrecorded maker, The Metropolitan Museum of Art

Funerary Cone of the High Priest of Amun Amenemopet

Unrecorded maker

ca. 1550–1300 BCE · Pottery

Cleared · Public Domain

live
The MetSimilar
Stela of Djehuty by an unrecorded maker, The Metropolitan Museum of Art

Stela of Djehuty

Unrecorded maker

ca. 1550–1300 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Votive stela of Userhat by an unrecorded maker, The Metropolitan Museum of Art

Votive stela of Userhat

Unrecorded maker

ca. 1328–1300 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Stela of Inamennayefnebu by an unrecorded maker, The Metropolitan Museum of Art

Stela of Inamennayefnebu

Unrecorded maker

ca. 825–721 BCE · Wood, paste, paint

Cleared · Public Domain

live
The MetSimilar
Stela of Tjanetdinetiset and Djedbastet by an unrecorded maker, The Metropolitan Museum of Art

Stela of Tjanetdinetiset and Djedbastet

Unrecorded maker

ca. 945–721 BCE · Wood, paste, paint

Cleared · Public Domain

live
The MetSimilar
Stela showing Djedbastet adoring Re-Harakhty-Atum by an unrecorded maker, The Metropolitan Museum of Art

Stela showing Djedbastet adoring Re-Harakhty-Atum

Unrecorded maker

ca. 945–721 BCE · Wood, paste, paint

Cleared · Public Domain

live
The MetSimilar
Stela of Saiah by an unrecorded maker, The Metropolitan Museum of Art

Stela of Saiah

Unrecorded maker

ca. 825–721 BCE · Wood, paste, paint

Cleared · Public Domain

live
The MetSimilar
Donation Stela of Shebitqo by an unrecorded maker, The Metropolitan Museum of Art

Donation Stela of Shebitqo

Unrecorded maker

ca. 708–705 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.