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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    117 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    296 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,945 matching records exist across the two collections.

Results for "Still Life and Embroidery"10 records

Institutions answered newest-first by record, interleaved

Still Life by Georg Flegel, The Metropolitan Museum of Art

Still Life

Georg Flegel (d. 1638)

probably ca. 1625–30 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Still Life with Lobster and Fruit by Abraham van Beyeren, The Metropolitan Museum of Art

Still Life with Lobster and Fruit

Abraham van Beyeren (d. 1690)

probably early 1650s · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Still Life of Fruit and Nuts by Giuseppe Ruoppolo, The Metropolitan Museum of Art

Still Life of Fruit and Nuts

Giuseppe Ruoppolo (d. 1710)

ca. 1660–69 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Still Life: Peaches, Apple, and Pear by John  A. Woodside, The Metropolitan Museum of Art

Still Life: Peaches, Apple, and Pear

John A. Woodside (d. 1852)

ca. 1825 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Still Life: Peaches and Grapes by John  A. Woodside, The Metropolitan Museum of Art

Still Life: Peaches and Grapes

John A. Woodside (d. 1852)

Ca. 1825 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Still Life with Flowers and Fruit by Henri Fantin-Latour, The Metropolitan Museum of Art

Still Life with Flowers and Fruit

Henri Fantin-Latour (d. 1904)

1866 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Still Life by William Michael Harnett, The Metropolitan Museum of Art

Still Life

William Michael Harnett (d. 1892)

1888 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Still Life and Embroidery

Robert Wilfred Skeffington Lutwidge (d. 1873)

1856 · Albumen silver print from glass negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Still Life

Henri Matisse (d. 1954)

ca. 1905 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Still Life with Metronome (Still Life with Mandola and Metronome)

Georges Braque (d. 1963)

Paris, late 1909 · Oil on canvas

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.