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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    209 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    261 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 71 matching records exist across the two collections.

Results for "Still-life with grapes, pears, cherries"12 records

Institutions answered newest-first by record, interleaved

Still Life with Roses and Fruit by Henri Fantin-Latour, The Metropolitan Museum of Art

Still Life with Roses and Fruit

Henri Fantin-Latour (d. 1904)

1863 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Still Life with Peaches and Grapes by Auguste Renoir, The Metropolitan Museum of Art

Still Life with Peaches and Grapes

Auguste Renoir (d. 1919)

1881 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Still Life with Flowers and Prickly Pears by Auguste Renoir, The Metropolitan Museum of Art

Still Life with Flowers and Prickly Pears

Auguste Renoir (d. 1919)

ca. 1885 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Still Life with Apples and Pears by Paul Cézanne, The Metropolitan Museum of Art

Still Life with Apples and Pears

Paul Cézanne (d. 1906)

ca. 1891–92 · Oil on canvas

Cleared · Public Domain

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The MetSimilar
Still Life with Grapes by Carducius Plantagenet Ream, The Metropolitan Museum of Art

Still Life with Grapes

Carducius Plantagenet Ream (d. 1917)

1917 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Still Life with Grapes and a Bird

Antonio Leonelli (Antonio da Crevalcore) (d. 1525)

ca. 1500–1510 · Oil on canvas

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Still-life with grapes, pears, cherries and other fruits

Theodor van Merlen II (d. 1672)

1625–72 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pears and Grapes on a Table

Juan Gris (d. 1927)

Céret, autumn 1913 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Guitar and Still Life on a Mantelpiece

Georges Braque (d. 1963)

1921 · Oil with sand on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Still-Life: Cherries, Apples, Pears (Lithograph #43)

William Samuel Schwartz (d. 1977)

1940 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Solarized Still Life with Banana and Grapes]

Josef Breitenbach (d. 1984)

1950s · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Still Life with Pears

Armand Sinko (d. 2012)

1950s · Oil on canvas

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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