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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    140 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    357 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 638 matching records exist across the two collections.

Results for "Stocks Down"12 records

Institutions answered newest-first by record, interleaved

‘Gaillard’ Musette by P. Gaillard, The Metropolitan Museum of Art

‘Gaillard’ Musette

P. Gaillard

date not published · Ivory, skin, cloth

Cleared · Public Domain

live
The MetSimilar
Study for "The Romancer" (Le Conteur) by Jean-Antoine Watteau, The Cleveland Museum of Art

Study for "The Romancer" (Le Conteur)

Jean-Antoine Watteau (d. 1721)

c. 1716 · Drawing, red chalk; red and black chalk (upper left figure)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Stocks Are Down- Heigh-Ho!! by Thomas Rowlandson, The Metropolitan Museum of Art

Stocks Are Down- Heigh-Ho!!

Thomas Rowlandson (d. 1827)

August 10, 1799 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
The Suburbs: Stock Raiser and Captain by Paul Gavarni, The Cleveland Museum of Art

The Suburbs: Stock Raiser and Captain

Paul Gavarni (d. 1866)

probably 1859–1860 · Drawing, watercolor (mixed with white gouache in places) over graphite, heightened with white gouache

Cleared · CC0

live
Cleveland Museum of ArtSimilar
John and Louisa Stock by Joseph Whiting Stock, The Metropolitan Museum of Art

John and Louisa Stock

Joseph Whiting Stock (d. 1855)

1845 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Piazza San Marco, Venice by Francesco Guardi, The Cleveland Museum of Art

Piazza San Marco, Venice

Francesco Guardi (d. 1793)

1780s · Drawing, pen and brown ink, brush and brown wash, with brush and gray wash (possibly chalk) and traces of black chalk, framing lines in brown and black ink

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Stocks Down

Nathaniel Currier (d. 1888)

1849 · Hand-colored lithograph

In copyright

live
The MetSimilar
Return from the Horse Fair by Rosa Bonheur, The Cleveland Museum of Art

Return from the Horse Fair

Rosa Bonheur (d. 1899)

1873 · Drawing, watercolor and gouache over graphite

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Stocks Up

Nathaniel Currier (d. 1888)

1849 · Hand-colored lithograph

In copyright

live
The MetSimilar
Portrait of a Man by Christian Friedrich Zincke, The Cleveland Museum of Art

Portrait of a Man

Christian Friedrich Zincke (d. 1767)

c. 1735 · Portrait Miniature, enamel on copper in a gold frame with a blue glass and hair reverse

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Stockings

Unrecorded maker

1890–99 · silk

In copyright

live
The MetSimilar
Portrait of Mr. Shippard by John I Smart, The Cleveland Museum of Art

Portrait of Mr. Shippard

John I Smart (d. 1811)

c. 1776 · Portrait Miniature, graphite and wash on laid paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.