
‘Gaillard’ Musette
P. Gaillard
date not published · Ivory, skin, cloth
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
140 ms. The Metropolitan Museum of Art, Collection API (Open Access)
357 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 638 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

‘Gaillard’ Musette
P. Gaillard
date not published · Ivory, skin, cloth
Cleared · Public Domain
live
Study for "The Romancer" (Le Conteur)
Jean-Antoine Watteau (d. 1721)
c. 1716 · Drawing, red chalk; red and black chalk (upper left figure)
Cleared · CC0
live
Stocks Are Down- Heigh-Ho!!
Thomas Rowlandson (d. 1827)
August 10, 1799 · Hand-colored etching
Cleared · Public Domain
live
The Suburbs: Stock Raiser and Captain
Paul Gavarni (d. 1866)
probably 1859–1860 · Drawing, watercolor (mixed with white gouache in places) over graphite, heightened with white gouache
Cleared · CC0
live
John and Louisa Stock
Joseph Whiting Stock (d. 1855)
1845 · Oil on canvas
Cleared · Public Domain
live
Piazza San Marco, Venice
Francesco Guardi (d. 1793)
1780s · Drawing, pen and brown ink, brush and brown wash, with brush and gray wash (possibly chalk) and traces of black chalk, framing lines in brown and black ink
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Stocks Down
Nathaniel Currier (d. 1888)
1849 · Hand-colored lithograph
In copyright
live
Return from the Horse Fair
Rosa Bonheur (d. 1899)
1873 · Drawing, watercolor and gouache over graphite
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Stocks Up
Nathaniel Currier (d. 1888)
1849 · Hand-colored lithograph
In copyright
live
Portrait of a Man
Christian Friedrich Zincke (d. 1767)
c. 1735 · Portrait Miniature, enamel on copper in a gold frame with a blue glass and hair reverse
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Stockings
Unrecorded maker
1890–99 · silk
In copyright
live
Portrait of Mr. Shippard
John I Smart (d. 1811)
c. 1776 · Portrait Miniature, graphite and wash on laid paper
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.