
Campo Sant'Angelo, Venice
Canaletto (Giovanni Antonio Canal) (d. 1768)
1730s · Oil on canvas
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1934 ms. The Metropolitan Museum of Art, Collection API (Open Access)
454 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 13,186 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Campo Sant'Angelo, Venice
Canaletto (Giovanni Antonio Canal) (d. 1768)
1730s · Oil on canvas
Cleared · Public Domain
live
Cross
Unrecorded maker
c. 1280–1300 · Stone, rock crystal, painted gold mounts
Cleared · CC0
live
Loggia of the Ducal Palace, Venice
John Ruskin (d. 1900)
1849–50 · Watercolor over graphite
Cleared · Public Domain
live
Doorknocker with Gorgon Head
Unrecorded maker
mid-1500s · Sculpture, bronze
Cleared · CC0
live
Venice
John Singer Sargent (d. 1925)
ca. 1903 · Watercolor, gouache, and graphite on white wove paper
Cleared · Public Domain
live
Views: The Stone of Proclamation at Venice
Antonio Canaletto (d. 1768)
1735–1746 · Print, etching
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Necklace, stones
Unrecorded maker
ca. 2030–1640 B.C. · Blue green faience, stones
In copyright
live
Calyx (Chalice)
Unrecorded maker
900s-1000s · Vessels, blood jasper (heliotrope) with gilt-copper mounts
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Examples of the Architecture of Venice, Selected and Drawn to Measurement from the Edifices (extra illustrated)
John Ruskin (d. 1900)
1851–83 · Mezzotint, etching, aquatint, engraving and lithographs with tint stones, numbered plates on chine collé
In copyright
live
Christ and the Woman Taken in Adultery
Sebastiano Ricci (d. 1734)
mid-1700s · Painting, oil on canvas
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Stones of Venice
Ernest David Roth (d. 1964)
1927 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Evening gloves
Gant Venice
ca. 1935 · Silk
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.