
Saint Barbara
Unrecorded maker
ca. 1490 · Limewood with paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
2553 ms. The Metropolitan Museum of Art, Collection API (Open Access)
397 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 22 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Saint Barbara
Unrecorded maker
ca. 1490 · Limewood with paint
Cleared · Public Domain
live
Strasbourg
Wenceslaus Hollar (d. 1677)
1665 · Etching, only state
Cleared · Public Domain
live
Strasbourg, from "German Views"
Wenceslaus Hollar (d. 1677)
1665 · Etching, only state
Cleared · Public Domain
live
Strasbourg, from "German Views"
Wenceslaus Hollar (d. 1677)
1663–65 · Etching, only state
Cleared · Public Domain
live
Strasbourg: The Kehl Bridge, from "German Views"
Wenceslaus Hollar (d. 1677)
1665 · Etching
Cleared · Public Domain
live
Strasbourg: The Toll House
Wenceslaus Hollar (d. 1677)
1625–77 · Etching; first state of two
Cleared · Public Domain
live
Unhappy Ghosts Crossing the Styx: In Base-relief
John Doyle (d. 1868)
December 11, 1834 · Lithograph
Cleared · Public Domain
live
Curfew Hour
Albert Pinkham Ryder (d. 1917)
by 1882 · Oil on wood
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Strasbourg: shooting range
Wenceslaus Hollar (d. 1677)
1665 · Etching, only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View on the Harlem River, New York – The Highbridge in the Distance
Frances Flora Bond Palmer (d. 1876)
1852, printed ca. 1865 · Hand-colored lithograph with gum arabic additions
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Old Toll House at Bridgeport (Small Plate)
John Henry Twachtman (d. 1902)
1888–9 · Etching; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vienna: Mauthaus Matzleinsdorf (Wien: Toll House, Matzleinsdorf)
Emil Hoppe (d. 1957)
1907 · Color lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.