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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    2553 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    397 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 22 matching records exist across the two collections.

Results for "Strasbourg: The Toll House"12 records

Institutions answered newest-first by record, interleaved

Saint Barbara by an unrecorded maker, The Metropolitan Museum of Art

Saint Barbara

Unrecorded maker

ca. 1490 · Limewood with paint

Cleared · Public Domain

live
The MetSimilar
Strasbourg by Wenceslaus Hollar, The Metropolitan Museum of Art

Strasbourg

Wenceslaus Hollar (d. 1677)

1665 · Etching, only state

Cleared · Public Domain

live
The MetSimilar
Strasbourg, from "German Views" by Wenceslaus Hollar, The Metropolitan Museum of Art

Strasbourg, from "German Views"

Wenceslaus Hollar (d. 1677)

1665 · Etching, only state

Cleared · Public Domain

live
The MetSimilar
Strasbourg, from "German Views" by Wenceslaus Hollar, The Metropolitan Museum of Art

Strasbourg, from "German Views"

Wenceslaus Hollar (d. 1677)

1663–65 · Etching, only state

Cleared · Public Domain

live
The MetSimilar
Strasbourg: The Kehl Bridge, from "German Views" by Wenceslaus Hollar, The Metropolitan Museum of Art

Strasbourg: The Kehl Bridge, from "German Views"

Wenceslaus Hollar (d. 1677)

1665 · Etching

Cleared · Public Domain

live
The MetSimilar
Strasbourg: The Toll House by Wenceslaus Hollar, The Metropolitan Museum of Art

Strasbourg: The Toll House

Wenceslaus Hollar (d. 1677)

1625–77 · Etching; first state of two

Cleared · Public Domain

live
The MetSimilar
Unhappy Ghosts Crossing the Styx: In Base-relief by John Doyle, The Metropolitan Museum of Art

Unhappy Ghosts Crossing the Styx: In Base-relief

John Doyle (d. 1868)

December 11, 1834 · Lithograph

Cleared · Public Domain

live
The MetSimilar
Curfew Hour by Albert Pinkham Ryder, The Metropolitan Museum of Art

Curfew Hour

Albert Pinkham Ryder (d. 1917)

by 1882 · Oil on wood

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Strasbourg: shooting range

Wenceslaus Hollar (d. 1677)

1665 · Etching, only state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View on the Harlem River, New York – The Highbridge in the Distance

Frances Flora Bond Palmer (d. 1876)

1852, printed ca. 1865 · Hand-colored lithograph with gum arabic additions

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Old Toll House at Bridgeport (Small Plate)

John Henry Twachtman (d. 1902)

1888–9 · Etching; second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vienna: Mauthaus Matzleinsdorf (Wien: Toll House, Matzleinsdorf)

Emil Hoppe (d. 1957)

1907 · Color lithograph

In copyright

live
The MetSimilar

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2. Read the arithmetic

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