Gathering at the Orchid Pavilion
Unidentified artist
16th century · Fan mounted as an album leaf; ink and color on silk
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
328 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
478 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 215 matching records exist across the two collections.
Results for "Stream Bank with Trees, Dinghy (from Ske"11 records
Institutions answered newest-first by record, interleaved
Strasbourg, from "German Views"
Wenceslaus Hollar (d. 1677)
1665 · Etching, only state
Cleared · Public Domain
liveThe MetSimilar
Ugbrooke, Devon
John White Abbott (d. 1851)
July 17, 1809 · Pen and gray ink, brush and gray wash and pale yellow, blue and brown watercolor; laid down on original paper mount with gray wash
Cleared · Public Domain
liveThe MetSimilar
Miseries of Bathing
Thomas Rowlandson (d. 1827)
[April 1, 1808], reissued September 1, 1814 · Hand-colored etching
Cleared · Public Domain
liveThe MetSimilar
Orchid Pavilion by a Winding Stream
Hara Zaichū (d. 1837)
1829 · Hanging scroll; ink and color on silk
Cleared · Public Domain
liveThe MetSimilar
Horses at the Ford
Currier & Ives (d. 1907)
1867 · Hand-colored lithograph
Cleared · Public Domain
liveThe MetSimilar
Stream Bank with Trees, Dinghy (from Sketchbook)
Thomas Hewes Hinckley (d. 1896)
ca. 1860–ca. 1864 · Graphite on green-tinted paper
Cleared · Public Domain
liveThe MetSimilar
Mill River Scenery
Frances Flora Bond Palmer (d. 1876)
1857–68 · Hand-colored lithograph
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Summer Ramble
Currier & Ives (d. 1907)
1857–71 · Hand-colored lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Return from the Pasture
Frances Flora Bond Palmer (d. 1876)
c. 1857-1872 · Hand-colored lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Oasis with doum palms and distant figures in the water
Unrecorded maker
ca. 1920 · Gelatin silver print
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.