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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    1250 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    514 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 58 matching records exist across the two collections.

Results for "Striding Goat"12 records

Institutions answered newest-first by record, interleaved

Cylinder seal by an unrecorded maker, The Metropolitan Museum of Art

Cylinder seal

Unrecorded maker

ca. 1820–1730 BCE · Hematite

Cleared · Public Domain

live
The MetSimilar
Striding Goat by an unrecorded maker, The Cleveland Museum of Art

Striding Goat

Unrecorded maker

c. 3200–3000 BCE · Sculpture, limestone and Egyptian blue inlay

Cleared · CC0

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Cleveland Museum of ArtSimilar
Cylinder seal by an unrecorded maker, The Metropolitan Museum of Art

Cylinder seal

Unrecorded maker

ca. 1820–1730 BCE · Hematite

Cleared · Public Domain

live
The MetSimilar
Vessel with six animal friezes by an unrecorded maker, The Metropolitan Museum of Art

Vessel with six animal friezes

Unrecorded maker

ca. 10th–8th century BCE · Bronze

Cleared · Public Domain

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The MetSimilar
Belt fragment by an unrecorded maker, The Metropolitan Museum of Art

Belt fragment

Unrecorded maker

ca. 7th century BCE · Bronze

Cleared · Public Domain

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The MetSimilar
Six Animals, including lions, a tiger, a leopard, a griffin, and a goat by Battista Franco, The Metropolitan Museum of Art

Six Animals, including lions, a tiger, a leopard, a griffin, and a goat

Battista Franco (d. 1561)

ca. 1530–61 · Etching and engraving; second state of two

Cleared · Public Domain

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The MetSimilar
Mars and Rhea Silvia: in the centre Mars holds a shield and sword, Rhea Silvia sleeping, Apollo in his chariot upper left by Giulio Bonasone, The Metropolitan Museum of Art

Mars and Rhea Silvia: in the centre Mars holds a shield and sword, Rhea Silvia sleeping, Apollo in his chariot upper left

Giulio Bonasone (d. 1576)

ca 1531–76 · Engraving

Cleared · Public Domain

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The MetSimilar
Ceres sows seeds and walks behind a goat-drawn plough, at right a man draped with a lion skin grasps a woman's garment and a female satyr receives an embrace from another figure, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances by Pierre Brebiette, The Metropolitan Museum of Art

Ceres sows seeds and walks behind a goat-drawn plough, at right a man draped with a lion skin grasps a woman's garment and a female satyr receives an embrace from another figure, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances

Pierre Brebiette (d. 1642)

ca. 1617–25 · Etching

Cleared · Public Domain

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The MetSimilar
Composition of figures arranged in a landscape foreground before a statue of a female goddess, at left two nude figures support a nude woman riding a goat led by a putto, at center a draped woman holds one finger to her eye behind a satyr holding a bow, at right Mercury twists away from the satyr, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances by Pierre Brebiette, The Metropolitan Museum of Art

Composition of figures arranged in a landscape foreground before a statue of a female goddess, at left two nude figures support a nude woman riding a goat led by a putto, at center a draped woman holds one finger to her eye behind a satyr holding a bow, at right Mercury twists away from the satyr, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances

Pierre Brebiette (d. 1642)

ca. 1617–25 · Etching

Cleared · Public Domain

live
The MetSimilar
Woman and infant satyr in a landscape, the woman twisting to look over her left shoulder, a horned goat striding toward the background, from "The Capricci" by Giovanni Battista Tiepolo, The Metropolitan Museum of Art

Woman and infant satyr in a landscape, the woman twisting to look over her left shoulder, a horned goat striding toward the background, from "The Capricci"

Giovanni Battista Tiepolo (d. 1770)

ca. 1740–42 · Etching

Cleared · Public Domain

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The MetSimilar
Mercury Delivers the Infant Bacchus to the Nymphs by Bénigne Gagneraux, The Metropolitan Museum of Art

Mercury Delivers the Infant Bacchus to the Nymphs

Bénigne Gagneraux (d. 1795)

ca. 1789–90 · Etching, proof impression, partly reworked in graphite

Cleared · Public Domain

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The MetSimilar
"Here's my Maud S.," from the Terrors of America set (N136) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco by W. Duke, Sons & Co., The Metropolitan Museum of Art

"Here's my Maud S.," from the Terrors of America set (N136) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco

W. Duke, Sons & Co. (d. 1920)

1888–89 · Commercial color lithograph

Cleared · Public Domain

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The MetSimilar

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