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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    316 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 391 matching records exist across the two collections.

Results for "Strike"8 records

Institutions answered newest-first by record, interleaved

Halberd by an unrecorded maker, The Cleveland Museum of Art

Halberd

Unrecorded maker

c. 1550 · Arms and Armor, steel, with pierced trefoils; wood haft (rectangular with planed corners)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Mars by Giambologna, The Cleveland Museum of Art

Mars

Giambologna (d. 1608)

c. 1584–87 · Sculpture, bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bell (Bo Zhong) by an unrecorded maker, The Cleveland Museum of Art

Bell (Bo Zhong)

Unrecorded maker

early 400s BCE · Metalwork, bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Idiophone/Staff (ahianmwẹn-ọrọ) by an unrecorded maker, The Cleveland Museum of Art

Idiophone/Staff (ahianmwẹn-ọrọ)

Unrecorded maker

possibly 1800s · Sculpture, Copper alloy

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Sovereign of Twenty Shillings: Edward VI (obverse); Crowned Shield of Royal Arms (reverse) by an unrecorded maker, The Cleveland Museum of Art

Sovereign of Twenty Shillings: Edward VI (obverse); Crowned Shield of Royal Arms (reverse)

Unrecorded maker

1550–53 · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Vessel: Jaguar(?) by an unrecorded maker, The Cleveland Museum of Art

Vessel: Jaguar(?)

Unrecorded maker

c. 1000–1550 · Ceramic, ceramic, slip

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Alarums and Excursions by Maxfield Parrish, The Cleveland Museum of Art

Alarums and Excursions

Maxfield Parrish (d. 1966)

1899 · Drawing, brush and black and gray wash, with white gouache, over graphite, framing lines in pen and black ink

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Animal Effigy Vessel by an unrecorded maker, The Cleveland Museum of Art

Animal Effigy Vessel

Unrecorded maker

1000–1550 · Ceramic, earthenware with colored slips

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.