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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    264 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    352 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 117 matching records exist across the two collections.

Results for "String of beads and amulets (wedjat eyes"12 records

Institutions answered newest-first by record, interleaved

String of beads and amulets by an unrecorded maker, The Metropolitan Museum of Art

String of beads and amulets

Unrecorded maker

ca. 1981–1295 B.C. · Faience, carnelian, lapis lazuli, amethyst, stone, shell, pottery

Cleared · Public Domain

live
The MetSimilar
String of Wedjat Amulets by an unrecorded maker, The Metropolitan Museum of Art

String of Wedjat Amulets

Unrecorded maker

ca. 1981–1640 B.C. · Gold, carnelian, lapis-lazuli, amethyst, beryl

Cleared · Public Domain

live
The MetSimilar
String of beads and amulets by an unrecorded maker, The Metropolitan Museum of Art

String of beads and amulets

Unrecorded maker

ca. 1347–1328 BCE · Faience, glass

Cleared · Public Domain

live
The MetSimilar
Amulets and string of beads by an unrecorded maker, The Metropolitan Museum of Art

Amulets and string of beads

Unrecorded maker

ca. 1386–1347 BCE · Faience, glazed steatite

Cleared · Public Domain

live
The MetSimilar
String of beads and amulets by an unrecorded maker, The Metropolitan Museum of Art

String of beads and amulets

Unrecorded maker

ca. 1080–343 BCE · Shells, string, bone and faience

Cleared · Public Domain

live
The MetSimilar
String of Beads and Amulets by an unrecorded maker, The Metropolitan Museum of Art

String of Beads and Amulets

Unrecorded maker

ca. 1080–343 BCE · Faience, shell, wood

Cleared · Public Domain

live
The MetSimilar
String of beads and amulets (wedjat eyes) by an unrecorded maker, The Metropolitan Museum of Art

String of beads and amulets (wedjat eyes)

Unrecorded maker

ca. 1080–343 BCE · Shell, carnelian, string and faience

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

String of beads and amulets

Unrecorded maker

ca. 3850–2960 BCE · Carnelian, faience, hematite, limestone, stetite, quartaite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

String of Beads and Amulets

Unrecorded maker

ca. 1850–1775 B.C. · Egyptian Blue, faience, carnelian, feldspar

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bracelet with 4 wedjat eyes, 2 barrel beads, and 1 acacia bead

Unrecorded maker

ca. 1000–945 BCE · Linen, faience, gold, amethyst

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bracelet with wedjat eye amulets and barrel beads

Unrecorded maker

ca. 1000–945 BCE · Linen, gold, glass, faience

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

String of wedjat eye amulets and beads

Unrecorded maker

750–300 BC · Faience

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.