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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    268 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    355 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 16 matching records exist across the two collections.

Results for "Stringing and Drilling Beads, Tomb of Re"11 records

Institutions answered newest-first by record, interleaved

Design Amulet with Loop on Back, Device with Dancing God, Hathor Symbol and Lion by an unrecorded maker, The Metropolitan Museum of Art

Design Amulet with Loop on Back, Device with Dancing God, Hathor Symbol and Lion

Unrecorded maker

ca. 2325–2150 BCE · Bone

Cleared · Public Domain

live
The MetSimilar
Design Amulet, a Double-Falconhead Shank Pierced Transversally on the Back, Device showing Two Hares Head-to-tail by an unrecorded maker, The Metropolitan Museum of Art

Design Amulet, a Double-Falconhead Shank Pierced Transversally on the Back, Device showing Two Hares Head-to-tail

Unrecorded maker

ca. 2100–2080 B.C. · Rock crystal

Cleared · Public Domain

live
The MetSimilar
Broad Collar of Wah by an unrecorded maker, The Metropolitan Museum of Art

Broad Collar of Wah

Unrecorded maker

ca. 1981–1975 B.C. · Faience, linen thread

Cleared · Public Domain

live
The MetSimilar
Amulet in the Form of Harpokrates by an unrecorded maker, The Metropolitan Museum of Art

Amulet in the Form of Harpokrates

Unrecorded maker

ca. 1850–1775 B.C. · Lapis lazuli

Cleared · Public Domain

live
The MetSimilar
Stringing and Drilling Beads, Tomb of Rekhmire by Nina de Garis Davies, The Metropolitan Museum of Art

Stringing and Drilling Beads, Tomb of Rekhmire

Nina de Garis Davies (d. 1965)

ca. 1479–1396 BCE · Paper, tempera paint, ink

Cleared · Public Domain

live
The MetSimilar
Yuny and His Wife Renenutet by an unrecorded maker, The Metropolitan Museum of Art

Yuny and His Wife Renenutet

Unrecorded maker

ca. 1299–1290 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Spacer-bead with images of divinities and a king by an unrecorded maker, The Metropolitan Museum of Art

Spacer-bead with images of divinities and a king

Unrecorded maker

ca. 1080–721 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Necklace with conical beads by Moche artist(s), The Metropolitan Museum of Art

Necklace with conical beads

Moche artist(s)

200-850 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Earflare Set by an unrecorded maker, The Metropolitan Museum of Art

Earflare Set

Unrecorded maker

3rd–9th century · Jade

Cleared · Public Domain

live
The MetSimilar
Earflare Set by an unrecorded maker, The Metropolitan Museum of Art

Earflare Set

Unrecorded maker

3rd–9th century · Jade

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

End Bar of Bracelet with Beads Attached (Original Stringing)

Unrecorded maker

ca. 1850–1700 B.C. · Electrum, carnelian, lapis lazuli, faience

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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