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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    272 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    343 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 12,055 matching records exist across the two collections.

Results for "Structure, Number 2"12 records

Institutions answered newest-first by record, interleaved

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Neolith, Number 2, February

Edith Nesbit (d. 1924)

1908 · Lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mine-Mule, Number 2

George Luks (d. 1933)

1933 · Wash on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study for Sculpture, Number 2

David Smith (d. 1965)

1950 · Brush and black ink and egg yolk on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled, Number 2

James Brooks (d. 1992)

1951 · Gouache and crayon on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Structure, Number 2

Sam Francis (d. 1994)

1957 · Watercolor on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Figure Study, Number 2

Robert Ranieri (d. 9999)

1963 · Brush and black ink and wash on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gallery Structure #2

Dennis Oppenheim (d. 2011)

1967 · Painted wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cheops Sun-Box Number 2

Theodoros Stamos (d. 1997)

1969 · Oil and acrylic on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Torso, Number 2

Hale Woodruff (d. 1980)

1971 · Charcoal and conté crayon on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Traitor Series, Number 2

Rafael Ferrer (d. 2026)

1979 · Oil pastel on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Monkey's Recovery I, Number 2

Richard Tuttle (d. 9999)

1983 · Painted museum board and plywood, homasote, leather, string, wire and nails

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old Emperor Number 2

Richard Rudich (d. 9999)

1984 · Glazed and painted ceramic

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.