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Standing Youth with Hands Behind His Back, and a Seated Youth Reading (recto); Two Studies of Hands (verso)

Filippino Lippi (d. 1504)

1457/58–1504 · Metalpoint, highlighted with white gouache, on pink prepared paper (recto); metalpoint, on pink prepared paper (verso)

Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)

Michelangelo Buonarroti (d. 1564)

ca. 1510–11 · Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)

Candelabra grotesque and studies of kneeling figures (recto); two sphinxes (verso)

Andrés de Melgar (d. 1554)

ca. 1545–60 · Pen and brown ink

Study for a Virgin and Child with Two Angels (recto); Two Studies of Hands (verso)

Poppi (Francesco Morandini) (d. 1597)

1544–97 · Red chalk on off-white paper. Recto: squared in red chalk

Two Studies for the Madonna and Child (recto); Flagellation (verso)

Anonymous, Italian, 16th century (d. 1600)

16th century · Pen and ink, one sketched in red

Studies for Four Figures (recto); Composition Sketches for Groupings of Figures on Clouds (verso)

Jacopo Palma the Younger (d. 1628)

1600–14 · Brush with brown and white oil paint, over black chalk (recto); black chalk and charcoal (verso)

A Sheet of Studies with Architectural Motifs and Two Sketches for a Visitation (recto); Sketch for a Funerary Monument (verso)

Giovanni Battista Foggini (d. 1725)

1672–1725 · Pen and brown ink, over black chalk (recto); black chalk (verso)

Studies for Two Armchairs (recto); sketches for Three Chairs and Parts of a Fourth (verso)

Charles Percier (d. 1838)

ca. 1800–1805 · Graphite

Study for a Nativity, Bearded Male Saint, and Head Studies (recto); Two Head Studies (verso)

Bartholomaeus Ignaz Weiss (d. 1814)

1750–1815 · Pen and brown ink, brush and brown wash, highlighted with white gouache, over red chalk and traces of lead? on cream paper (recto); red chalk (verso)

Two Men Resting by a Lake (recto); Studies for Soldiers Mounted on Horseback (verso)

Alexandre Calame (d. 1864)

early to mid-19th century · Graphite heightened with white bodycolor, on brown paper.

Drapery Study for "Battledore" (recto); Two Women (verso)

Albert Joseph Moore (d. 1893)

1868–70 · Black conté crayon and white chalk on brown paper (recto); black chalk (verso)

Study of a Ballet Dancer (recto); Two Studies of Dancers (verso)

Edgar Degas (d. 1917)

ca. 1873 · Oil with opaque watercolor on prepared pink paper (recto); oil on prepared pink paper (verso)