
The Adoration of the Christ Child
Master of Frankfurt (d. 1515)
possibly 1496–1502 · Oil on oak panel
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
552 ms. The Metropolitan Museum of Art, Collection API (Open Access)
371 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,385 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Adoration of the Christ Child
Master of Frankfurt (d. 1515)
possibly 1496–1502 · Oil on oak panel
Cleared · Public Domain
live
The Adoration of the Magi
Correggio (Antonio Allegri) (d. 1534)
ca. 1517 · Red chalk, highlighted with white gouache
Cleared · Public Domain
live
The Adoration of the Shepherds
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
1524–27 · Pen and brown ink, brush and brown wash, highlighted with white gouache over traces of black and a little red chalk (at upper left), on brownish paper
Cleared · Public Domain
live
The Adoration of the Shepherds
Girolamo da Carpi (Girolamo Sellari) (d. 1556)
ca. 1535–40 · Oil on wood
Cleared · Public Domain
live
The Adoration of the Magi
Nosadella (Giovanni Francesco Bezzi) (d. 1571)
1500–1571 · Pen and brown ink, brush and brown wash, over traces of black chalk, with some traces of white gouache highlights (oxidized); the kneeling male figure at center reworked by the artist with pen and darker brown ink; a strip of paper added at the bottom and the design of the feet of the figure at lower left completed in brush and brown ink by an early hand, not that of the artist
Cleared · Public Domain
live
The Adoration of the Magi (Cartoon for an Embroidery)
Diego Lopez de Escuriaz (d. 1623)
1587–89 · Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on blue-green paper; outlines finely pricked for transfer
Cleared · Public Domain
live
Six Studies of a King for an Adoration
Anonymous, Italian, Venetian, 16th century (d. 1600)
16th century · Pen and brown ink, brush and brown wash
Cleared · Public Domain
live
The Adoration of the Magi
Guercino (Giovanni Francesco Barbieri) (d. 1666)
1625–30 · Pen and brown ink, brush and brown wash
Cleared · Public Domain
live
Studies for an Adoration of the Shepherds
Adriaen Brouwer (d. 1638)
early 17th century · Pen and brown ink, over black chalk; framing line in pen and brown ink, probably by a later hand
Cleared · Public Domain
live
The Adoration of the Shepherds
François Boucher (d. 1770)
1770 · Gouache over black chalk
Cleared · Public Domain
live
The Shepherd
Welby Sherman (d. 1836)
1828 · Engraving on chine collé
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Adoration of the Lobster
Cecily Brown (d. 9999)
2023–24 · Oil on UV-curable pigment on linen
In copyright
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