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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    834 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    294 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 18 matching records exist across the two collections.

Results for "Studies of Angels (recto); Panthea befor"12 records

Institutions answered newest-first by record, interleaved

The Virgin Protectress of the City of Siena by Francesco Vanni, The Metropolitan Museum of Art

The Virgin Protectress of the City of Siena

Francesco Vanni (d. 1610)

1588 · Pen and brown ink, brush and brown wash, over black chalk, on light brown paper

Cleared · Public Domain

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The MetSimilar
Study for a Virgin and Child with Two Angels (recto); Two Studies of Hands (verso) by Poppi (Francesco Morandini), The Metropolitan Museum of Art

Study for a Virgin and Child with Two Angels (recto); Two Studies of Hands (verso)

Poppi (Francesco Morandini) (d. 1597)

1544–97 · Red chalk on off-white paper. Recto: squared in red chalk

Cleared · Public Domain

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The MetSimilar
Return of the Holy Family from Egypt (recto); Studies for the Return from Egypt (verso) by Giovanni Baglione, The Metropolitan Museum of Art

Return of the Holy Family from Egypt (recto); Studies for the Return from Egypt (verso)

Giovanni Baglione (d. 1643)

1599–1600 · Pen and brown ink, brush and brown wash, over black chalk (recto and verso)

Cleared · Public Domain

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The MetSimilar
Study for an Angel (recto); Study of a Cushion (verso) by Annibale Carracci, The Metropolitan Museum of Art

Study for an Angel (recto); Study of a Cushion (verso)

Annibale Carracci (d. 1609)

1600–1602 · Charcoal or soft black chalk, highlighted with white chalk, on blue paper; several scattered stains of rose-colored paint at lower left (recto); black chalk with some white chalk highlights (verso)

Cleared · Public Domain

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The MetSimilar
The Emperor Constantine Copronymous Burned by an Invisible Fire (recto); Studies of Sibyls and Angles (verso) by Giovanni Baglione, The Metropolitan Museum of Art

The Emperor Constantine Copronymous Burned by an Invisible Fire (recto); Studies of Sibyls and Angles (verso)

Giovanni Baglione (d. 1643)

ca. 1599–1610 · Pen and brown ink, brush and brown wash, over black chalk (recto). Pen and brown ink, over black chalk (verso)

Cleared · Public Domain

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The MetSimilar
The Expulsion of Adam and Eve from Paradise (recto); Studies for the Same Composition (verso) by Francesco Allegrini, The Metropolitan Museum of Art

The Expulsion of Adam and Eve from Paradise (recto); Studies for the Same Composition (verso)

Francesco Allegrini (d. 1679)

1624–63 · Pen and brown ink, over red chalk

Cleared · Public Domain

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The MetSimilar
Studies of Architectural Moldings, of the Virgin and Child with a Kneeling Saint, and of Two Angels Supporting Frames (recto); Studies for Architectural Mouldings (verso) by Baldassarre Franceschini (il Volterrano), The Metropolitan Museum of Art

Studies of Architectural Moldings, of the Virgin and Child with a Kneeling Saint, and of Two Angels Supporting Frames (recto); Studies for Architectural Mouldings (verso)

Baldassarre Franceschini (il Volterrano) (d. 1690)

1611–89 · Pen and brown ink, red chalk, a little black chalk (recto); further studies of moldings in red chalk and pen and brown ink (verso)

Cleared · Public Domain

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The MetSimilar
A Group of Saints and Angels (recto); Studies of a Male Figure in a Pendentive (verso) by Mattia Preti (Il Cavalier Calabrese), The Metropolitan Museum of Art

A Group of Saints and Angels (recto); Studies of a Male Figure in a Pendentive (verso)

Mattia Preti (Il Cavalier Calabrese) (d. 1699)

1613–99 · Red chalk, brush and red wash (recto and verso)

Cleared · Public Domain

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The MetSimilar
Sheet of Studies with Angels and Religious Figures (recto); Draft of a Letter (verso) by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Sheet of Studies with Angels and Religious Figures (recto); Draft of a Letter (verso)

Anonymous, Italian, 17th century (d. 1700)

17th century · Pen and brown ink over graphite (recto); pen and brown ink (verso)

Cleared · Public Domain

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The MetSimilar
Kneeling Female Nude and Two Studies of Angels by Georg Raphael Donner, The Metropolitan Museum of Art

Kneeling Female Nude and Two Studies of Angels

Georg Raphael Donner (d. 1741)

early 18th century · Recto: pencil; margins ruled in red chalk at all four edges of paper Verso: black and brown chalk and pencil

Cleared · Public Domain

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The MetSimilar
The Virgin Nursing the Christ Child, in a Glory of Angels (recto); Studies for seated figures of Christ and God the Father in red chalk (verso) by Nicola Maria Rossi, The Metropolitan Museum of Art

The Virgin Nursing the Christ Child, in a Glory of Angels (recto); Studies for seated figures of Christ and God the Father in red chalk (verso)

Nicola Maria Rossi (d. 1758)

1690–1758 · Pen and brown ink, brush and brown wash, over red chalk. Verso: faint red chalk studies for seated figures of Christ and God the Father seen in steep perspective

Cleared · Public Domain

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The MetSimilar
Sheet of Studies: Five Angels (recto); Youth in Clerical Robes and Other Studies (verso) by Giovanni Battista Tiepolo, The Metropolitan Museum of Art

Sheet of Studies: Five Angels (recto); Youth in Clerical Robes and Other Studies (verso)

Giovanni Battista Tiepolo (d. 1770)

1696–1770 · Pen and brown ink, brush and brown wash (recto), pen and brown and black ink (verso)

Cleared · Public Domain

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The MetSimilar

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