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Coat of Arms

Mary Ann Thomas (d. 1872)

ca. 1786 · Silk embroidery on silk

Study for "The Landing of Columbus on San Salvador, October 12, 1492": Roderigo Sánchez of Segovia

John Vanderlyn (d. 1852)

ca. 1840–43 · Charcoal and white chalk (lightly affixed) on light gray laid paper

Studies of Coats of Arms for the Landing of Columbus (from Sketchbook)

Albert Bierstadt (d. 1902)

ca. 1891 · Graphite on wove paper with gilt edges, bound in a leather cover

Five Basic Shapes for Coats of Arms

Anonymous, Italian or Spanish, late 15th to early 16th century (d. 1550)

1450–1550 · Pen and brown ink

Five Coats of Arms and a Horizontal Panel; Three Basic Coats of Arms

Anonymous, Italian or Spanish, late 15th to early 16th century (d. 1550)

1450–1550 · Pen and brown ink

Six Basic Shapes for Coats of Arms

Anonymous, Italian or Spanish, late 15th to early 16th century (d. 1550)

1450–1550 · Pen and brown ink

Six Basic Shapes for Coats of Arms

Anonymous, Italian or Spanish, late 15th to early 16th century (d. 1550)

1450–1550 · Pen and brown ink

Six Basic Shapes for Coats of Arms

Anonymous, Italian or Spanish, late 15th to early 16th century (d. 1550)

1450–1550 · Pen and brown ink

Six Basic Shapes for Coats of Arms

Anonymous, Italian or Spanish, late 15th to early 16th century (d. 1550)

1450–1550 · Pen and brown ink

Six Coats of Arms

Anonymous, Italian or Spanish, late 15th to early 16th century (d. 1550)

1450–1550 · Pen and brown ink

Six Coats of Arms

Anonymous, Italian or Spanish, late 15th to early 16th century (d. 1550)

1450–1550 · Pen and brown ink

Studies for coats of arms and theatrical costume for a soldier carrying a banner

Boris Konstantinovitch Bilinsky (d. 1948)

20th century · Graphite, watercolor, gouache, brush and black ink