Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1597 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    331 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 566 matching records exist across the two collections.

Results for "Studies of Drapery in Sleeve and Collars"12 records

Institutions answered newest-first by record, interleaved

The Holy Kinship by Master of the Drapery Studies, The Metropolitan Museum of Art

The Holy Kinship

Master of the Drapery Studies (d. 1500)

ca. 1480 · Pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Christ Appearing to Mary Magdalen by Master of the Drapery Studies, The Metropolitan Museum of Art

Christ Appearing to Mary Magdalen

Master of the Drapery Studies (d. 1500)

ca. 1490 · Pen and brown ink, brush and brown wash, and black chalk

Cleared · Public Domain

live
The MetSimilar
Figure Studies: The Holy Family, a Running or Dancing Child, Drapery Studies by Francesco Curia, The Metropolitan Museum of Art

Figure Studies: The Holy Family, a Running or Dancing Child, Drapery Studies

Francesco Curia (d. 1608)

1565–1608 · Pen and brown ink, brush and pale violet wash.

Cleared · Public Domain

live
The MetSimilar
Figure and Drapery studies (recto); Three Studies of a Male Torso for the "Coronation of Marcantonio Pasqualini" (verso) by Andrea Sacchi, The Metropolitan Museum of Art

Figure and Drapery studies (recto); Three Studies of a Male Torso for the "Coronation of Marcantonio Pasqualini" (verso)

Andrea Sacchi (d. 1661)

1641 · Red and white chalk (recto); red chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Heads Studies for "Castor and Pollux Freeing Helen" by Joseph-Ferdinand Lancrenon, The Metropolitan Museum of Art

Heads Studies for "Castor and Pollux Freeing Helen"

Joseph-Ferdinand Lancrenon (d. 1874)

1817 · Black crayon, stumping, and white chalk on buff laid paper

Cleared · Public Domain

live
The MetSimilar
Drapery Study for a Bishop (lower register); verso:  Sketch of a sleeve; (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858) by Isidore Pils, The Metropolitan Museum of Art

Drapery Study for a Bishop (lower register); verso: Sketch of a sleeve; (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858)

Isidore Pils (d. 1875)

19th century · Black chalk, stumped, white and red chalk, on dark gray paper (recto); black chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Drapery Study for a Cleric (lower register); verso:  Sleeve of a Cleric; (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858) by Isidore Pils, The Metropolitan Museum of Art

Drapery Study for a Cleric (lower register); verso: Sleeve of a Cleric; (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858)

Isidore Pils (d. 1875)

19th century · Black chalk, stumped, heightened with white chalk, on gray paper (recto); black chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Studies of Drapery in Sleeve and Collars by Romain Cazes, The Metropolitan Museum of Art

Studies of Drapery in Sleeve and Collars

Romain Cazes (d. 1881)

1828–81 · Black chalk highlighted with white chalk

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studies of Seated Figures in Drapery, from "Prove di Vari Rami Inediti [...]"

Francesco Rosaspina (d. 1841)

19th century · Etching and aquatint with brown ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studies of Seated Figures in Drapery, from "Prove di Vari Rami Inediti [...]"

Francesco Rosaspina (d. 1841)

19th century · Etching and aquatint with brown ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studies of Seated Figures in Drapery, from "Prove di Vari Rami Inediti [...]"

Francesco Rosaspina (d. 1841)

19th century · Etching; proof before aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studies of Seated Figures in Drapery, from "Prove di Vari Rami Inediti [...]"

Francesco Rosaspina (d. 1841)

19th century · Etching; counterproof before aquatint

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.