
The Holy Kinship
Master of the Drapery Studies (d. 1500)
ca. 1480 · Pen and brown ink
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
486 ms. The Metropolitan Museum of Art, Collection API (Open Access)
697 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,998 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Holy Kinship
Master of the Drapery Studies (d. 1500)
ca. 1480 · Pen and brown ink
Cleared · Public Domain
live
Studies for The Allegories of Love
Paolo Veronese (Paolo Caliari) (d. 1588)
1570–75 · Pen and brown ink, brush and brown wash
Cleared · Public Domain
live
Figure Studies: Warrior on Horseback, and Groups of Standing Female Figures
Francesco Curia (d. 1608)
1565–1608 · Pen and brown ink, brush and brown wash
Cleared · Public Domain
live
Standing and Kneeling Figures, and Studies of Flying Putti
Francesco Curia (d. 1608)
1565–1608 · Pen and brown ink, with traces of black chalk
Cleared · Public Domain
live
Studies for Four Figures (recto); Composition Sketches for Groupings of Figures on Clouds (verso)
Jacopo Palma the Younger (d. 1628)
1600–14 · Brush with brown and white oil paint, over black chalk (recto); black chalk and charcoal (verso)
Cleared · Public Domain
live
Figure Studies
Francesco Guardi (d. 1793)
ca. 1765–70 · Pen and brown ink, light and dark brown and grayish brown wash
Cleared · Public Domain
live
Wooded Landscape with Cows beside a Pool, Figures and Cottage
Thomas Gainsborough (d. 1788)
1775–80 · Soft-ground etching with aquatint, printed in gray ink
Cleared · Public Domain
live
A Rest by the Way (Open Landscape with Figures, Donkey and Horses)
Thomas Gainsborough (d. 1788)
ca. 1780 · Black chalk, brush and brown wash
Cleared · Public Domain
live
Wooded Scene With Figures at the Door of a Cottage
Thomas Rowlandson (d. 1827)
1783–88 · Soft-ground etching and aquatint
Cleared · Public Domain
live
Lady Seated at a Table (recto); Dancing Figures (verso)
George Romney (d. 1802)
1775 or later · Recto: pen and brown ink, brush and brown wash Verso: black chalk, pen and brown ink
Cleared · Public Domain
live
Studies of Arab Heads and Figures
Eugène Delacroix (d. 1863)
after 1832 · Graphite, brush and brown wash, diluted white gouache on tracing paper, laid down
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Studies of Figures by Gainsborough
Richard James Lane (d. 1872)
January 1, 1825 · Lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.