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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    230 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    309 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 220 matching records exist across the two collections.

Results for "Studies of Horses, Hands, and Feet (rect"12 records

Institutions answered newest-first by record, interleaved

Virgin and Child Attended by Angels by Filippino Lippi, The Metropolitan Museum of Art

Virgin and Child Attended by Angels

Filippino Lippi (d. 1504)

1457/58–1504 · Pen and brown ink, brush and brown wash, highlighted with white gouache

Cleared · Public Domain

live
The MetSimilar
Seated Sibyl and Attendant Genius (recto); Study of the Head of a Horse in Profile (verso) by Pirro Ligorio, The Metropolitan Museum of Art

Seated Sibyl and Attendant Genius (recto); Study of the Head of a Horse in Profile (verso)

Pirro Ligorio (d. 1583)

ca. 1540 · Red chalk on beige paper (recto); pen and brown ink (verso)

Cleared · Public Domain

live
The MetSimilar
Head of a Young Girl and Studies of Hands and of her Right Foot by Charles de la Fosse, The Metropolitan Museum of Art

Head of a Young Girl and Studies of Hands and of her Right Foot

Charles de la Fosse (d. 1716)

n.d. · Black, red and white chalk, touches of yellow and pink pastel, on beige paper

Cleared · Public Domain

live
The MetSimilar
Studies of Hands and Feet by François Le Moyne, The Metropolitan Museum of Art

Studies of Hands and Feet

François Le Moyne (d. 1737)

early 18th century · Red and black chalk, heightened with white, on beige paper. Framing lines in pen and brown ink. Lined.

Cleared · Public Domain

live
The MetSimilar
Studies of Legs, Hands, and Torso by Anonymous, Italian, 18th century, The Metropolitan Museum of Art

Studies of Legs, Hands, and Torso

Anonymous, Italian, 18th century (d. 1800)

1700–50 · Black chalk and pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Studies of Horses, Hands, and Feet (recto); Studies of Heads and Figures (verso) by Eugène Delacroix, The Metropolitan Museum of Art

Studies of Horses, Hands, and Feet (recto); Studies of Heads and Figures (verso)

Eugène Delacroix (d. 1863)

ca. 1822–27 · Pen and brown and iron gall ink (recto); graphite, pen and iron gall ink, brush and brown wash (verso)

Cleared · Public Domain

live
The MetSimilar
Studies of a Fallen Male Nude for "Hercules and the Horses of Diomedes" by Eugène Delacroix, The Metropolitan Museum of Art

Studies of a Fallen Male Nude for "Hercules and the Horses of Diomedes"

Eugène Delacroix (d. 1863)

1852 · Graphite

Cleared · Public Domain

live
The MetSimilar
Studies of Female Nude, Hands, and Male Torso (recto); Landscape (verso) by Félicien Rops, The Metropolitan Museum of Art

Studies of Female Nude, Hands, and Male Torso (recto); Landscape (verso)

Félicien Rops (d. 1898)

1898 · Pen and brown ink on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)

Leonardo da Vinci (d. 1519)

ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Head of a bearded man, two hands, and feet, from Livre de portraiture dédié au duc d'Enghien, bound in Oeuvres. Vol. III

Jean Le Pautre (d. 1682)

17th century · Etching; first state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Six hands and two feet, from Livre de portraiture dédié au duc d'Enghien, bound in Oeuvres. Vol. III

Jean Le Pautre (d. 1682)

17th century · Etching; first state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Standing Nude Woman and Studies of a Hand, Leg, and Feet

Maurice Brazil Prendergast (d. 1924)

1912–15 · Pencil

In copyright

live
The MetSimilar

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