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Kneeling, Seated and Standing Figures (recto); Seated, Kneeling and Reclining Figures (verso)

Perino del Vaga (Pietro Buonaccorsi) (d. 1547)

1501–47 · Pen and brown ink, reworked with black ink (recto); pen and brown and black ink (verso)

The Presentation in the Temple

Rembrandt van Rijn (d. 1669)

c. 1654 · Print, etching, drypoint and engraving

Candelabra grotesque and studies of kneeling figures (recto); two sphinxes (verso)

Andrés de Melgar (d. 1554)

ca. 1545–60 · Pen and brown ink

Studies for a Figure of Saint Francis Kneeling in a Three-Quarter View and for His Hands (recto); Studies for a Figure of Saint Francis Kneeling in Profile (verso)

Annibale Carracci (d. 1609)

1583–85 · Red chalk with white chalk highlights, pen and brown ink (recto); red chalk (verso)

Studies of Figures

Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)

16th century · Pen and brown ink, over black chalk, on yellow-brown paper

Figure Studies: Standing and Kneeling Clerics and Religious, Adam and Eve, and a Reclining Skeleton

Francesco Vanni (d. 1610)

ca. 1602 · Pen and brown ink, brush and brown wash, black chalk

Standing and Kneeling Figures, and Studies of Flying Putti

Francesco Curia (d. 1608)

1565–1608 · Pen and brown ink, with traces of black chalk

Studies of Kneeling Figures

Salvator Rosa (d. 1673)

1615–73 · Pen and brown ink, brush and brown wash

Studies of Walking Figures

Francesco Guardi (d. 1793)

1712–93 · Pen and brown ink, brush and brown wash, on blue paper faded to blue-brown. Another figure in black chalk at lower left of drawing

Studies of Figures

Hokusai School

19th century · Unmounted painting; ink on paper

Studies of Assyrian figures (two-sided)

Paul Cézanne (d. 1906)

ca. 1864–1868 · Graphite