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A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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  • The Metlive

    403 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    324 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 1,007 matching records exist across the two collections.

Results for "Studies of Three Naked Men, a Right Arm"12 records

Institutions answered newest-first by record, interleaved

Terracotta oil lamp by an unrecorded maker, The Metropolitan Museum of Art

Terracotta oil lamp

Unrecorded maker

1st half of 1st century CE · Terracotta

Cleared · Public Domain

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The MetSimilar
Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man by Lorenzo Monaco (Piero di Giovanni), The Metropolitan Museum of Art

Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man

Lorenzo Monaco (Piero di Giovanni) (d. 1425)

ca. 1420 · Metalpoint, touches of brush and brown wash, heightened with white (partially oxidized in the figure at the lower left), on reddish violet prepared paper. Some lines retraced in pen and brown ink at a later date.

Cleared · Public Domain

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The MetSimilar
Studies of ten (?) heads and two ears (recto); Studies of three figures and a head (verso) by Gerard David, The Metropolitan Museum of Art

Studies of ten (?) heads and two ears (recto); Studies of three figures and a head (verso)

Gerard David (d. 1523)

ca. 1498 · Metalpoint on prepared paper; verso: black chalk

Cleared · Public Domain

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The MetSimilar
Studies of a Seated Youth in Armor by Vittore Carpaccio, The Metropolitan Museum of Art

Studies of a Seated Youth in Armor

Vittore Carpaccio (d. 1526)

ca. 1505 · Black chalk, point of brush and gray wash, highlighted with white gouache, on blue paper

Cleared · Public Domain

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The MetSimilar
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso) by Michelangelo Buonarroti, The Metropolitan Museum of Art

Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)

Michelangelo Buonarroti (d. 1564)

ca. 1510–11 · Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)

Cleared · Public Domain

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The MetSimilar
Two studies of a Standing Man with a Sword (Alexander the Great); verso: Studies of a Leg, an Arm, a Hand, and a Figure's Neck by Peter Candid (Pieter de Witte, Pietro Candido), The Metropolitan Museum of Art

Two studies of a Standing Man with a Sword (Alexander the Great); verso: Studies of a Leg, an Arm, a Hand, and a Figure's Neck

Peter Candid (Pieter de Witte, Pietro Candido) (d. 1628)

ca. 1601 · Pen and black ink, heightened with white gouache, over black and red chalk, on off-white paper prepared with pink gouache

Cleared · Public Domain

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The MetSimilar
Hands and arms by Wenceslaus Hollar, The Metropolitan Museum of Art

Hands and arms

Wenceslaus Hollar (d. 1677)

1644–52 · Etching; only state

Cleared · Public Domain

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The MetSimilar
Studies of Three Naked Men, a Right Arm and a Nude Figure Supported by Another (recto); Studies of a Figure with Left Arm Upraised, a Leg, and Putti with Foliage (verso) by Paolo Pagani, The Metropolitan Museum of Art

Studies of Three Naked Men, a Right Arm and a Nude Figure Supported by Another (recto); Studies of a Figure with Left Arm Upraised, a Leg, and Putti with Foliage (verso)

Paolo Pagani (d. 1716)

1700–1710 · Pen and brown ink, brush and brown wash, over black chalk (the three struggling figures) (recto); pen and purple ink, brush and purple wash (the two figures at lower right) (recto); pen and brown ink, brush and brown wash, over black chalk (verso)

Cleared · Public Domain

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The MetSimilar
Study for "Dante and the Spirits of Great Men" by Eugène Delacroix, The Metropolitan Museum of Art

Study for "Dante and the Spirits of Great Men"

Eugène Delacroix (d. 1863)

1840–45 · Fabricated black crayon

Cleared · Public Domain

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The MetSimilar
A partly naked man on the ground right arm outstretched by Mariano Fortuny, 1838–1874, The Metropolitan Museum of Art

A partly naked man on the ground right arm outstretched

Mariano Fortuny, 1838–1874 (d. 1874)

ca. 1860–70 · Etching on Japan paper

Cleared · Public Domain

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The MetSimilar
A partly naked man on the ground, right arm outstretched by Mariano Fortuny, 1838–1874, The Metropolitan Museum of Art

A partly naked man on the ground, right arm outstretched

Mariano Fortuny, 1838–1874 (d. 1874)

ca. 1860–70 · Etching

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Patéres, plate 54 from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"

Jean Barbault (d. 1762)

1770 · Etching

In copyright

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The MetSimilar

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