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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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  • The Metlive

    321 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    430 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 1,508 matching records exist across the two collections.

Results for "Studies of a tree (recto and verso)"12 records

Institutions answered newest-first by record, interleaved

Standing Youth with Hands Behind His Back, and a Seated Youth Reading (recto); Two Studies of Hands (verso) by Filippino Lippi, The Metropolitan Museum of Art

Standing Youth with Hands Behind His Back, and a Seated Youth Reading (recto); Two Studies of Hands (verso)

Filippino Lippi (d. 1504)

1457/58–1504 · Metalpoint, highlighted with white gouache, on pink prepared paper (recto); metalpoint, on pink prepared paper (verso)

Cleared · Public Domain

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The MetSimilar
A Blasted Tree (recto) Floorplan (verso) by Jasper F. Cropsey, The Cleveland Museum of Art

A Blasted Tree (recto) Floorplan (verso)

Jasper F. Cropsey (d. 1900)

1851 · Drawing, pen and brown ink, brown wash and graphite, heightened with white

Cleared · CC0

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Cleveland Museum of ArtSimilar
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso) by Michelangelo Buonarroti, The Metropolitan Museum of Art

Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)

Michelangelo Buonarroti (d. 1564)

ca. 1510–11 · Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)

Cleared · Public Domain

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The MetSimilar
Pathway in the Forest of Fontainebleau by Gustave Le Gray, The Cleveland Museum of Art

Pathway in the Forest of Fontainebleau

Gustave Le Gray (d. 1884)

1849–52 · Photograph, salted paper print from waxed paper negative

Cleared · CC0

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Cleveland Museum of ArtSimilar
Sheet of Figure Studies and Ornamental Motifs (recto and verso) by Vincenzo Tamagni, The Metropolitan Museum of Art

Sheet of Figure Studies and Ornamental Motifs (recto and verso)

Vincenzo Tamagni (d. 1530)

1520–30 · Pen and brown ink over leadpoint

Cleared · Public Domain

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The MetSimilar
Study of a Tree Trunk by Georges Michel, The Cleveland Museum of Art

Study of a Tree Trunk

Georges Michel (d. 1843)

c. 1775–1843 · Drawing, Graphite and watercolor

Cleared · CC0

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Cleveland Museum of ArtSimilar
Studies of a Boy and a Girl (recto); Studies of Legs (verso) by Annibale Carracci, The Metropolitan Museum of Art

Studies of a Boy and a Girl (recto); Studies of Legs (verso)

Annibale Carracci (d. 1609)

1560–1609 · Red chalk, highlighted with white chalk, on beige paper (recto); black and red chalk (verso)

Cleared · Public Domain

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The MetSimilar
Road in the Forest by Eugène Cuvelier, The Cleveland Museum of Art

Road in the Forest

Eugène Cuvelier (d. 1900)

1860–1863 · Photograph, salted paper print from waxed paper negative

Cleared · CC0

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Cleveland Museum of ArtSimilar
Study of a Palm Tree (recto); Mountain Landscape (verso) by Nicolas Poussin, The Metropolitan Museum of Art

Study of a Palm Tree (recto); Mountain Landscape (verso)

Nicolas Poussin (d. 1665)

ca. 1635–40 · Pen and brown ink, over traces of black chalk (recto); pen and brown ink (verso)

Cleared · Public Domain

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The MetSimilar
Young Woman on a Cloud with Three Figures (recto); Studies of an Old Man and a Hand (verso) by Francesco Furini, The Metropolitan Museum of Art

Young Woman on a Cloud with Three Figures (recto); Studies of an Old Man and a Hand (verso)

Francesco Furini (d. 1646)

17th century · Red chalk, highlighted with white chalk

Cleared · Public Domain

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The MetSimilar
Studies for a Ceiling (recto and verso) by Michel Corneille the Younger, The Metropolitan Museum of Art

Studies for a Ceiling (recto and verso)

Michel Corneille the Younger (d. 1708)

ca. 1660–80 · Pen and dark brown ink over traces of leadpoint (recto); pen and dark brown ink over leadpoint (verso)

Cleared · Public Domain

live
The MetSimilar
Four Studies of Horses (recto); Four Studies of Galloping Horses and Riders (verso) by Eugène Delacroix, The Metropolitan Museum of Art

Four Studies of Horses (recto); Four Studies of Galloping Horses and Riders (verso)

Eugène Delacroix (d. 1863)

1824–25 · Pen and ink, brush and black wash, graphite (recto); graphite (verso)

Cleared · Public Domain

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The MetSimilar

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