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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    219 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    345 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 15 matching records exist across the two collections.

Results for "Studies of the Villa Cicerone at the Lag"12 records

Institutions answered newest-first by record, interleaved

Studies of a Gentian, Moth, Birds, Cats, Interlacing Motif, and Greek Frets (recto); Ornamental Studies with Figures (verso) by Giorgio di Giovanni ("Giorgio da Siena"), The Metropolitan Museum of Art

Studies of a Gentian, Moth, Birds, Cats, Interlacing Motif, and Greek Frets (recto); Ornamental Studies with Figures (verso)

Giorgio di Giovanni ("Giorgio da Siena") (d. 1559)

1530–40 · Pen and two colors of brown ink, brush and watercolor over leadpoint or black chalk (recto); pen and light brown ink over leadpoint or black chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Seated male figure by an unrecorded maker, The Metropolitan Museum of Art

Seated male figure

Unrecorded maker

mid-16th century · Bronze

Cleared · Public Domain

live
The MetSimilar
A Winged Putto Riding a Sea Horse and a Lion (recto); The Three Graces (verso) by Denijs Calvaert, The Metropolitan Museum of Art

A Winged Putto Riding a Sea Horse and a Lion (recto); The Three Graces (verso)

Denijs Calvaert (d. 1619)

1574 · Pen and brown ink, over black chalk (or charcoal), touches of red chalk, highlighted with white gouache (recto); pen and brown ink, over black chalk (verso); framing lines in pen and brown ink

Cleared · Public Domain

live
The MetSimilar
The Judgment of Paris by Alessandro Allori, The Metropolitan Museum of Art

The Judgment of Paris

Alessandro Allori (d. 1607)

1583 · Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on blue paper

Cleared · Public Domain

live
The MetSimilar
Study for a Triumphal Arch (recto); Alternate Study for a Triumphal Arch (verso) by Hubert Robert, The Metropolitan Museum of Art

Study for a Triumphal Arch (recto); Alternate Study for a Triumphal Arch (verso)

Hubert Robert (d. 1808)

ca. 1800 · Black chalk

Cleared · Public Domain

live
The MetSimilar
Fountain, Place du Château d’Eau, Paris by Joseph-Philibert Girault de Prangey, The Metropolitan Museum of Art

Fountain, Place du Château d’Eau, Paris

Joseph-Philibert Girault de Prangey (d. 1892)

1841–42 · Daguerreotype

Cleared · Public Domain

live
The MetSimilar
View from the French Academy at the Villa Medici by Giacomo Caneva, The Metropolitan Museum of Art

View from the French Academy at the Villa Medici

Giacomo Caneva (d. 1865)

ca. 1852 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Studies of the Villa Cicerone at the Lago Lucrino near Naples and of the Temple at Paestum (Italy) by Pierre Louis Dubourcq, The Metropolitan Museum of Art

Studies of the Villa Cicerone at the Lago Lucrino near Naples and of the Temple at Paestum (Italy)

Pierre Louis Dubourcq (d. 1873)

mid-19th century · Graphite; framing lines in graphite

Cleared · Public Domain

live
The MetSimilar
Spring by Sir Lawrence Alma-Tadema, The Metropolitan Museum of Art

Spring

Sir Lawrence Alma-Tadema (d. 1912)

1879 · Engraving on chine collé; proof

Cleared · Public Domain

live
The MetSimilar
Loggia, Villa Giulia, Rome by John Singer Sargent, The Metropolitan Museum of Art

Loggia, Villa Giulia, Rome

John Singer Sargent (d. 1925)

ca. 1907 · Watercolor and graphite on white wove paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View in the Gardens of the Villa d'Este

Léon Pallière (d. 1820)

ca. 1814–17 · Oil on paper, laid down on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Silver Cap

Adolf de Meyer (d. 1946)

ca. 1909, printed 1912 · Gelatin silver print

In copyright

live
The MetSimilar

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