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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    257 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    461 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 18 matching records exist across the two collections.

Results for "Studiolo from the Ducal Palace in Gubbio"12 records

Institutions answered newest-first by record, interleaved

The Birth of the Virgin by Fra Carnevale (Bartolomeo di Giovanni Corradini), The Metropolitan Museum of Art

The Birth of the Virgin

Fra Carnevale (Bartolomeo di Giovanni Corradini) (d. 1484)

1467 · Tempera and oil on wood

Cleared · Public Domain

live
The MetSimilar
Doorway (Portal) by an unrecorded maker, The Cleveland Museum of Art

Doorway (Portal)

Unrecorded maker

late 1400s · Sculpture, gray sandstone

Cleared · CC0

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Cleveland Museum of ArtSimilar
Studiolo from the Ducal Palace in Gubbio by Francesco di Giorgio Martini, The Metropolitan Museum of Art

Studiolo from the Ducal Palace in Gubbio

Francesco di Giorgio Martini (d. 1501)

ca. 1478–82 · Walnut, beech, rosewood, oak and fruitwoods in walnut base

Cleared · Public Domain

live
The MetSimilar
Hip-joint armchair (sillón de cadera or jamuga) by an unrecorded maker, The Metropolitan Museum of Art

Hip-joint armchair (sillón de cadera or jamuga)

Unrecorded maker

ca. 1480–1500 · Walnut and elm, partly veneered and inlaid with different woods, ivory, bone (camel?) and pewter; covered in silk velvet not original to the armchair

Cleared · Public Domain

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The MetSimilar
The Triumph of Julius Caesar by Andrea Andreani, The Metropolitan Museum of Art

The Triumph of Julius Caesar

Andrea Andreani (d. 1629)

1599 · Chiaroscuro woodcut comprising 10 sheets (9 of images and 1 title) from slightly different printings from three and four blocks in black (keyblock) and shades from light brown through gray

Cleared · Public Domain

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The MetSimilar
Light Crossbow (Schnepper) from the Armory of Sedlitz Palace by Johann Gottfried Hänisch the Elder, The Metropolitan Museum of Art

Light Crossbow (Schnepper) from the Armory of Sedlitz Palace

Johann Gottfried Hänisch the Elder (d. 1778)

dated 1733 · Steel, wood (walnut), staghorn, hemp, wool, gold

Cleared · Public Domain

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The MetSimilar
Commode by Jean François Cuvilliés the Elder, The Metropolitan Museum of Art

Commode

Jean François Cuvilliés the Elder (d. 1768)

ca. 1735–40 · Pine and linden wood; carved, partially painted, and gilded gesso, partly incised; Tegernsee limestone top

Cleared · Public Domain

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The MetSimilar
Venice from the Bacino di San Marco by Francesco Guardi, The Metropolitan Museum of Art

Venice from the Bacino di San Marco

Francesco Guardi (d. 1793)

ca. 1765–75 · Oil on canvas

Cleared · Public Domain

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The MetSimilar
Writing table by David Roentgen, The Metropolitan Museum of Art

Writing table

David Roentgen (d. 1807)

ca. 1790 · Mahogany, gilt bronze

Cleared · Public Domain

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The MetSimilar
Loggia of the Ducal Palace, Venice by John Ruskin, The Metropolitan Museum of Art

Loggia of the Ducal Palace, Venice

John Ruskin (d. 1900)

1849–50 · Watercolor over graphite

Cleared · Public Domain

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The MetSimilar
Goblet by Dr. Antonio Salviati Company, The Metropolitan Museum of Art

Goblet

Dr. Antonio Salviati Company (d. 1987)

ca. 1868 · Glass; blown, enameled, and gilded

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Examples of the Architecture of Venice, Selected and Drawn to Measurement from the Edifices (extra illustrated)

John Ruskin (d. 1900)

1851–83 · Mezzotint, etching, aquatint, engraving and lithographs with tint stones, numbered plates on chine collé

In copyright

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The MetSimilar

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2. Read the arithmetic

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3. Seal and export

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