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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    179 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    438 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 143 matching records exist across the two collections.

Results for "Study Number 2 for Portrait of Mohamed"12 records

Institutions answered newest-first by record, interleaved

Study of a Young Woman in Three-quarter Bust-Length by Bronzino (Agnolo di Cosimo di Mariano), The Metropolitan Museum of Art

Study of a Young Woman in Three-quarter Bust-Length

Bronzino (Agnolo di Cosimo di Mariano) (d. 1572)

ca. 1540–42 · Black chalk

Cleared · Public Domain

live
The MetSimilar
Portrait of Sinan the Great by Dominicus Custos, The Metropolitan Museum of Art

Portrait of Sinan the Great

Dominicus Custos (d. 1612)

1595 · Engraving

Cleared · Public Domain

live
The MetSimilar
Portrait of a Man by Jacob Backer, The Metropolitan Museum of Art

Portrait of a Man

Jacob Backer (d. 1651)

ca. 1645–50 · Black chalk, heightened with white, with touches of red chalk (recto); pen and brown ink, brush and gray wash over black chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Portrait of Monsieur Aublet by Guillaume Voiriot, The Metropolitan Museum of Art

Portrait of Monsieur Aublet

Guillaume Voiriot (d. 1799)

ca. 1782 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Profile Portrait of a Woman by Augustin de Saint-Aubin, The Metropolitan Museum of Art

Profile Portrait of a Woman

Augustin de Saint-Aubin (d. 1807)

ca. 1780–82 · Graphite, red and black chalk, with touches of blue wash

Cleared · Public Domain

live
The MetSimilar
Preparatory Study for a Portrait of Man Singh and His Harem by an unrecorded maker, The Metropolitan Museum of Art

Preparatory Study for a Portrait of Man Singh and His Harem

Unrecorded maker

1810–15 · Ink and opaque watercolor on paper, pricked for transfer

Cleared · Public Domain

live
The MetSimilar
Study for a Bust Portrait of a Young Man (from Sketchbook) by John Quincy Adams Ward, The Metropolitan Museum of Art

Study for a Bust Portrait of a Young Man (from Sketchbook)

John Quincy Adams Ward (d. 1910)

ca. 1860 · Graphite on paper

Cleared · Public Domain

live
The MetSimilar
Study for a Portrait of Mathilde Salle by Edgar Degas, The Metropolitan Museum of Art

Study for a Portrait of Mathilde Salle

Edgar Degas (d. 1917)

modeled ca. 1892, cast 1920 · Bronze on black marble base

Cleared · Public Domain

live
The MetSimilar
Study for a Portrait of Mathilde Salle by Edgar Degas, The Metropolitan Museum of Art

Study for a Portrait of Mathilde Salle

Edgar Degas (d. 1917)

modeled ca. 1892, cast 1920 · Bronze on black marble base

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Self-portrait

Helena de Kay (d. 1916)

date not published · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Self-Portrait

William Orpen (d. 1931)

ca. 1910 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study Number 2 for Portrait of Mohamed

Claudio Bravo (d. 2011)

1984 · Black conte crayon with white chalk on paper

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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