Study for the Age of Bronze
Pietro da Cortona (Pietro Berrettini) (d. 1669)
1637 · Pen and brown ink, brush and brown wash, over black chalk
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
417 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
344 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 749 matching records exist across the two collections.
Results for "Study Number 5 for "Recollection of the"12 records
Institutions answered newest-first by record, interleaved
Study for Victory (from Sketchbook)
John Quincy Adams Ward (d. 1910)
ca. 1860 · Graphite on paper
Cleared · Public Domain
liveThe MetSimilar
Study for Victory (from Sketchbook)
John Quincy Adams Ward (d. 1910)
ca. 1860 · Graphite on paper
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Flower Study
Helena de Kay (d. 1916)
date not published · Oil on wood
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Flower study
Helena de Kay (d. 1916)
1870s · Oil on wood
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for Talmont
Ellsworth Kelly (d. 2015)
1951 · Graphite on paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for The Epic of Gilgamesh: Gilgamesh’s Invocation
Dia al-Azzawi
1965–1966 · Ink and ink wash on paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for The Epic of Gilgamesh: Ishtar
Dia al-Azzawi
1965–1966 · Ink and ink wash on paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for The Epic of Gilgamesh: Untitled
Dia al-Azzawi
1965–1966 · Ink and ink wash on paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for The Epic of Gilgamesh: Gilgamesh's Defeat
Dia al-Azzawi
1966–1967 · Ink and metallic paint on paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for The Epic of Gilgamesh: Gilgamesh's Defeat
Dia al-Azzawi
1966–1967 · Ink and metallic paint on paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study Number 5 for "Recollection of the Flood"
Peter Blume (d. 1992)
1968 · Enamel on Masonite
In copyright
liveThe MetSimilar
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