
Study of Hands (recto); Study for a Reclining St. Francis (verso)
Daniele Crespi (d. 1630)
ca. 1628–30 · Red and white chalk on blue paper (recto); red chalk on blue paper (verso)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
2354 ms. The Metropolitan Museum of Art, Collection API (Open Access)
350 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 499 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Study of Hands (recto); Study for a Reclining St. Francis (verso)
Daniele Crespi (d. 1630)
ca. 1628–30 · Red and white chalk on blue paper (recto); red chalk on blue paper (verso)
Cleared · Public Domain
live
Study for Saint Gervasius
Eustache Le Sueur (d. 1655)
ca. 1652 · Black chalk heightened with white chalk, on gray-beige paper; framing lines in pen and brown ink
Cleared · Public Domain
live
Crito
Jacques Louis David (d. 1825)
ca. 1786–87 · Black chalk, stumped, heightened with white chalk; squared in black chalk
Cleared · Public Domain
live
Study for Astyanax’s Nurse
Pierre Paul Prud'hon (d. 1823)
ca. 1812 · Black and white chalk, with stumping, on blue paper
Cleared · Public Domain
live
Study for "Flying Victory"
William Wyon (d. 1851)
ca. 1830–40 · Wax on slate
Cleared · Public Domain
live
Study for Victory (from Sketchbook)
John Quincy Adams Ward (d. 1910)
ca. 1860 · Graphite on paper
Cleared · Public Domain
live
Study for Victory (from Sketchbook)
John Quincy Adams Ward (d. 1910)
ca. 1860 · Graphite on paper
Cleared · Public Domain
live
Study for "Poseuses"
Georges Seurat (d. 1891)
1886–87 · Conté crayon on laid paper.
Cleared · Public Domain
live
Study for "Death and Victory"
John Singer Sargent (d. 1925)
1921–22 · Watercolor, graphite, and gouache on off-white wove paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for "Young and His Daughter"
Pierre Antoine Augustin Vafflard (d. 1837)
ca. 1804 · Oil on paper, laid down on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for the Sculpture "Victory"
William Tucker (d. 9999)
1980 · Charcoal on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for "Winged Victory"
Arnold Mesches (d. 2016)
1991 · Pen and black ink, cut and pasted printed papers and acetate, tape, and graphite on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.