Female Figure
Unrecorded maker
10th century BCE · Ceramic
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
171 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
296 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 71 matching records exist across the two collections.
Results for "Study for "Garrity Necklace, Number 1""12 records
Institutions answered newest-first by record, interleaved
Female Figure
Unrecorded maker
10th century BCE · Ceramic
Cleared · Public Domain
liveThe MetSimilar
Female Figure
Unrecorded maker
12th–9th century BCE · Ceramic
Cleared · Public Domain
liveThe MetSimilar
Female Figure
Unrecorded maker
12th–9th century BCE · Ceramic
Cleared · Public Domain
liveThe MetSimilar
Study of Capers, Gorse, and a Beetle
Maria Sibylla Merian (d. 1717)
1693 · Watercolor, white gouache, on vellum
Cleared · Public Domain
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![Pedestal [for Woman from the French Colonies] by Charles-Henri-Joseph Cordier, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/es/web-large/SF2006_112d.jpg)
Pedestal [for Woman from the French Colonies]
Charles-Henri-Joseph Cordier (d. 1905)
1861 · Red and white marble pedestal with gilt-bronze mounts and ornaments
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
String of beads with Heh amulet
Unrecorded maker
ca. 1290–1224 BCE · Faience
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)
Leonardo da Vinci (d. 1519)
ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Dial, No. 4
Charles Haslewood Shannon (d. 1937)
1896 · Illustrations: woodcuts, lithographs, photomechanical process
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for Talmont
Ellsworth Kelly (d. 2015)
1951 · Graphite on paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for The Epic of Gilgamesh: Ishtar’s Dream [small]
Dia al-Azzawi
1965–1966 · Ink and ink wash on paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for "Garrity Necklace, Number 1"
Jim Dine (d. 9999)
1985 · Pastel, charcoal, oil paint, and shellac on paper
In copyright
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