Study for "Under the Window"
Kate Greenaway (d. 1901)
1878 · Graphite and black chalk
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
309 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
332 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 286 matching records exist across the two collections.
Results for "Study for "The Block" [window] (recto);"11 records
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Out of Study Window
Sir Francis Seymour Haden (d. 1910)
1859 · Etching with drypoint; first (final) state (Harrington); fourth state of four (Schneiderman)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for "The Block" [angel] (recto); Study for "The Block" [people] (verso)
Romare Bearden (d. 1988)
ca. 1971 · a and b: Green marker on paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for "The Block" [angels] (recto); Study for "The Block" [group of people] (verso)
Romare Bearden (d. 1988)
ca. 1971 · Green, blue and yellow marker on paper (recto)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for "The Block" [buildings]
Romare Bearden (d. 1988)
ca. 1971 · Green marker on paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for "The Block" [lady and interior]
Romare Bearden (d. 1988)
ca. 1971 · Green marker on paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for "The Block" [lamppost with arrow sign]
Romare Bearden (d. 1988)
ca. 1971 · Graphite on paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for "The Block" [lamppost] (recto); Study for "The Block" [buildings] (verso)
Romare Bearden (d. 1988)
ca. 1971 · Graphite on paper (recto and verso)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for "The Block" [mourners]
Romare Bearden (d. 1988)
ca. 1971 · Green marker on paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for "The Block" [rows of buildings]
Romare Bearden (d. 1988)
ca. 1971 · Color marker and graphite on paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for "The Block" [window] (recto); Study for "The Block" [design] (verso)
Romare Bearden (d. 1988)
ca. 1971 · Graphite on paper (recto and verso)
In copyright
liveThe MetSimilar
1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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