A painting can be out of copyright and thephotograph of it can still be protected.

Study for the Figure of Saint Peter

Daniele da Volterra (Daniele Ricciarelli) (d. 1566)

ca. 1545 · Black chalk

The Martyrdom of Saint Paul

Taddeo Zuccaro (d. 1566)

ca. 1557–58 · Pen and brown and gray ink, brown wash, over black chalk, heightened with white, on buff paper.

The Virgin and Child Appearing to Saint Peter, Saint Damasus, Saint Lawrence, and Saint Paul; the Martyrdom of Saint Lawrence in the Background

Federico Zuccaro (Zuccari) (d. 1609)

1566–68 · Pen and brown ink, brush and brown wash, over traces of red and black chalk, on beige paper

Martyrdom of a Female Saint (Agnes?)

Camillo Procaccini (d. 1629)

1605–9 · Charcoal, brush and gray wash, highlighted with white gouache, on brown paper; ruled lines in pen and brown ink

The Martyrdom of Saint Cecilia (Cartoon for a Fresco)

Domenichino (Domenico Zampieri) (d. 1641)

1612–14 · Charcoal highlighted with white chalk

Martyrdom of Saint Lawrence

Lucas Vorsterman I (d. 1675)

1621 · Engraving; second state of two (Hollstein)

The Martyrdom of the Apostle Thomas

Giovanni Lanfranco (d. 1647)

1638–46 · Pen and brown ink, brush and brown wash, spots of red wash at upper right and left

Study for Saint Gervasius

Eustache Le Sueur (d. 1655)

ca. 1652 · Black chalk heightened with white chalk, on gray-beige paper; framing lines in pen and brown ink

The Martyrdom of Saint Anastasia

Michelangelo Cerruti ("Il Candelottaro") (d. 1748)

1721 · Pen and brown ink, brush and pale brown wash, highlighted with white gouache, over black chalk

The Martyrdom of Saint Hippolytus

Simon Julien (d. 1800)

18th century · Pen and brown ink, brush and brown and gray wash, over red chalk

Seated Male Nude (Study for the Martyrdom of St. Lawrence)

Bronzino (Agnolo di Cosimo di Mariano) (d. 1572)

1565–69 · Black chalk, glued onto secondary support