Study for the Pietà
Giulio Cesare Procaccini (d. 1625)
1604 · Charcoal, highlighted with white gouache, squared in charcoal, on blue paper
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
250 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
259 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,342 matching records exist across the two collections.
Results for "Study for "The Viaduct""12 records
Institutions answered newest-first by record, interleaved
Study for "The Ascension"
John Singleton Copley (d. 1815)
1774 · Ink ("Bistre") washes, pen and ink, black chalk, and graphite on off-white laid paper, watercolor
Cleared · Public Domain
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Study for the Crucifixion
Benjamin West (d. 1820)
1788 · Brown ink applied by brush and pen, black chalk underdrawing; laid paper prepared with a light golden brown wash
Cleared · Public Domain
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Study for "The Pipe Bearer"
John Frederick Lewis (d. 1876)
1841–51 · Watercolor, gouache (bodycolor) and black chalk on gray paper
Cleared · Public Domain
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Study for The Pleiades
Elihu Vedder (d. 1923)
1883–84 · Charcoal on gray paper
Cleared · Public Domain
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Study for The Pleiades
Elihu Vedder (d. 1923)
1883–84 · Charcoal on gray paper
Cleared · Public Domain
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Study for "The Well"
Morton Schamberg (d. 1918)
ca. 1916 · Graphite on paper
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for The Pleiades
Elihu Vedder (d. 1923)
1883–84 · Charcoal and white chalk on blue wove paper
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for "The Aviator"
Fernand Léger (d. 1955)
1920 · Brush and black ink and watercolor over graphite on paper
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for "The Danaïdes"
John Singer Sargent (d. 1925)
1921–25 · Charcoal and white chalk on off-white laid paper
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for "The Viaduct"
Cyril E. Power (d. 1951)
ca. 1925 · Graphite
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for "The Secret"
Wifredo Lam (d. 1982)
ca. 1947 · Pen and ink and watercolor with graphite on paper
In copyright
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