Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    901 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    365 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,087 matching records exist across the two collections.

Results for "Study for Full-length Male Statue (from"12 records

Institutions answered newest-first by record, interleaved

Bronze portrait of a man by an unrecorded maker, The Metropolitan Museum of Art

Bronze portrait of a man

Unrecorded maker

1st half of 1st century CE · Bronze

Cleared · Public Domain

live
The MetSimilar
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso) by Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia), The Metropolitan Museum of Art

Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)

Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) (d. 1438)

1435–38 · Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Madonna and Child with the Infant Saint John the Baptist; upper left, Study for the Right Arm of the Infant Saint John; upper right, Study for Drapery (recto); Study of a Nude Male Figure (verso) by Raphael (Raffaello Sanzio or Santi), The Metropolitan Museum of Art

Madonna and Child with the Infant Saint John the Baptist; upper left, Study for the Right Arm of the Infant Saint John; upper right, Study for Drapery (recto); Study of a Nude Male Figure (verso)

Raphael (Raffaello Sanzio or Santi) (d. 1520)

ca. 1506–7 · Red chalk (recto); pen and brown ink (verso)

Cleared · Public Domain

live
The MetSimilar
Male Nude Torso with Raised Arms by Parmigianino (Girolamo Francesco Maria Mazzola), The Metropolitan Museum of Art

Male Nude Torso with Raised Arms

Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)

ca. 1522–24 · Red chalk

Cleared · Public Domain

live
The MetSimilar
Marie Gabrielle Capet and Marie Marguerite Carreaux de Rosemond by Adélaïde Labille-Guiard, The Metropolitan Museum of Art

Marie Gabrielle Capet and Marie Marguerite Carreaux de Rosemond

Adélaïde Labille-Guiard (d. 1803)

ca. 1785 · Black chalk with stumping, red and white chalk

Cleared · Public Domain

live
The MetSimilar
William Charles Macready as William Tell by Henry Inman, The Metropolitan Museum of Art

William Charles Macready as William Tell

Henry Inman (d. 1846)

1826–27 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Study of a Young Model by William Henry Hunt, The Metropolitan Museum of Art

Study of a Young Model

William Henry Hunt (d. 1864)

ca. 1830 · Watercolor over graphite with reductive techniques

Cleared · Public Domain

live
The MetSimilar
Full-length Sketch of a Male Figure; Study of a Sculpture of a Female Figure (Possibly by L. G. Mead?) (from Sketchbook) by John Quincy Adams Ward, The Metropolitan Museum of Art

Full-length Sketch of a Male Figure; Study of a Sculpture of a Female Figure (Possibly by L. G. Mead?) (from Sketchbook)

John Quincy Adams Ward (d. 1910)

ca. 1860 · Graphite on paper

Cleared · Public Domain

live
The MetSimilar
Study for Full-length Male Statue (from Sketchbook) by John Quincy Adams Ward, The Metropolitan Museum of Art

Study for Full-length Male Statue (from Sketchbook)

John Quincy Adams Ward (d. 1910)

ca. 1860 · Graphite on paper

Cleared · Public Domain

live
The MetSimilar
Hiawatha by Augustus Saint-Gaudens, The Metropolitan Museum of Art

Hiawatha

Augustus Saint-Gaudens (d. 1907)

1871–72, carved 1874 · Marble

Cleared · Public Domain

live
The MetSimilar
Robert Burns by Charles Calverley, The Metropolitan Museum of Art

Robert Burns

Charles Calverley (d. 1914)

1890, cast 1891 · Bronze

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)

Leonardo da Vinci (d. 1519)

ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.