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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1140 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    278 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,641 matching records exist across the two collections.

Results for "Study for Galatea"12 records

Institutions answered newest-first by record, interleaved

Galatea (?) by Pinturicchio, The Metropolitan Museum of Art

Galatea (?)

Pinturicchio (d. 1513)

ca. 1509 · Fresco, transferred to canvas and attached to wood panels

Cleared · Public Domain

live
The MetSimilar
Plate 128: Galatea and Acis Embracing, while Polyphemus Sings for Galatea (Acidis, Galateaeq, furtivi concubitus), from Ovid's 'Metamorphoses' by Antonio Tempesta, The Metropolitan Museum of Art

Plate 128: Galatea and Acis Embracing, while Polyphemus Sings for Galatea (Acidis, Galateaeq, furtivi concubitus), from Ovid's 'Metamorphoses'

Antonio Tempesta (d. 1630)

1606 · Etching

Cleared · Public Domain

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The MetSimilar
Studies of a Reclined Woman on a Seashell, for the Triumph of Galatea (recto and verso) by Paolo De Matteis, The Metropolitan Museum of Art

Studies of a Reclined Woman on a Seashell, for the Triumph of Galatea (recto and verso)

Paolo De Matteis (d. 1728)

ca. 1692 · Brush and brown wash, over black chalk (recto); black chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Four Studies of Recumbent Female Nudes (Galatea) by Carlo Maratti, The Metropolitan Museum of Art

Four Studies of Recumbent Female Nudes (Galatea)

Carlo Maratti (d. 1713)

ca. 1713 · Red chalk, touches of white chalk, on blue paper

Cleared · Public Domain

live
The MetSimilar
Study for "Poseuses" by Georges Seurat, The Metropolitan Museum of Art

Study for "Poseuses"

Georges Seurat (d. 1891)

1886–87 · Conté crayon on laid paper.

Cleared · Public Domain

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The MetSimilar
Pygmalion and Galatea by Jean-Léon Gérôme, The Metropolitan Museum of Art

Pygmalion and Galatea

Jean-Léon Gérôme (d. 1904)

ca. 1890 · Oil on canvas

Cleared · Public Domain

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The MetSimilar
Galatea by Max Klinger, The Metropolitan Museum of Art

Galatea

Max Klinger (d. 1920)

1906 · Cast silver; marble

Cleared · Public Domain

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The MetSimilar
Study for Galatea by Auguste Rodin, The Metropolitan Museum of Art

Study for Galatea

Auguste Rodin (d. 1917)

modeled ca. 1889, cast before 1912 · Cast plaster

Cleared · Public Domain

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The MetSimilar
Study for Obsession by Auguste Rodin, The Metropolitan Museum of Art

Study for Obsession

Auguste Rodin (d. 1917)

modeled ca. 1896, cast before 1912 · Cast plaster

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study for The Pleiades

Elihu Vedder (d. 1923)

1883–84 · Charcoal and white chalk on blue wove paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study for "Goat"

Arthur Dove (d. 1946)

ca. 1934 · Watercolor, gouache, and graphite on paperboard

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study for ¦Song¦

Henri Matisse (d. 1954)

1938 · Charcoal on paper

In copyright

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The MetSimilar

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2. Read the arithmetic

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